#i can't have characters arguing about how to get out of a situation as one character in the background discovers a secret door

[thats-a-lot-of-cortisol]

2 & 3 from section 1 for peri and 7 from whichever section has a more interesting #7 for diodore -moss

oooh these are fun ones!

2. Describe their tent set-up (outside and inside) (Peri)

I think Peri's tent is constructed similarly to Gale and Astarion's (boxy, fabric walls, little covered area outside). Deep blue fabric w/ golden astronomical embroidery, mostly the sort of thing you see on star maps. Little golden tassles around the edges of the tarp (?) and the doorframe. He'd have a small, circular, dark wood side table short enough that you can use it sitting on the ground, and a dark blue pillow next to it; there would be some parchment and a bronze miniature astrolabe on the table. The inside would be just. full to the brim with the gaudiest night-sky-themed pillows you've ever seen. No bedroll, no palette, just a nest that would put those cube pits in trampoline parks to shame. There would be two bird perches for his familiar Medani: one taller one next to his tent and one shorter one under the overhang. The shorter one would have a crow-sized bow-tie hanging from it. Rugs on rugs on the outside area ofc. 3. What would their character quest be titled? Why? (Peri)

This is a hard one! His tav ending involves taking over the Waterdeep arm of the Harpers, so I think his arc would have something to do with that. He'd be pretty bitter about being dropped into another near-apocalyptic mess when dealing with the last one a few years prior was supposed to be a one-time thing. Something-something ptsd in a world that doesn't have the words for that yet, something-something 'once a hero always a hero', something-something the weight of responsibility...he's a planeswalker so I think part of it would be whether he decides to stay on Toril long-term and directly help rebuild the Waterdeep Harpers or if he continues to run travel around afterwards, so maybe The Far Traveller/The Far Walker?

Harpson/Fae-son are also potential options. "Fae-son" nods to him being a changeling without it being super obvious (like Astarion's "The Pale Elf"). It would also mimic his backstory reveals from RoT ("oh he's not 'from here' so, like, the Feywild" -> "OH he's not from here"). 7. Describe their arc. How would a player help resolve it? What choices can be made? Can your Tav be turned down a dark path, or pulled to a lighter one? (Diodore)

Buckle up because we're in for a long one here. I've thought about Dora's story arc a lot because she's the first of my tavs that I truly made for the game while having full control over her backstory, etc. (versus Corentin, who had their arc baked into the story as a durge). Dora's a paladin of Corellon (oath of ancients) and her story arc as a companion would have to do with whether or not she should accept capital-r-Redemption, the process by which a drow can be truly "freed" from Lolth and rejoin the ranks of the rest of elven society. It involves all of the Redeemed drow's memories being erased and them being reincarnated as a surface elf. The implication seems to be that without that, regardless of a drow's actions, they'd be thrown back to Lolth when they die? Or at least that their eternal fate is unknown (which is the way I prefer to think of it for. personal reasons). Under normal circumstances, Dora would be a long way from Redemption being presented to her at all (she's not even 200 yet and has only been on the surface for a couple decades), but like with the other gods' Chosen among the companions, near-apocalyptic circumstances tend to speed up those sorts of things.

Of course, you'd have the themes of faith & relationship with deity when they're all unequivocally real and are also mostly all assholes; maintaining or breaking generational cycles; facing the unknown; morality when none of your choices are "good" (and how that interacts with morality vs self preservation); power vs freedom; identity outside of the people who made you; etc. The choice would first be presented to her sometime in late Act I/early Act II, likely the first long rest after the group resurfaces from the Underdark and you've probably gotten some of her backstory already. I have no idea how Larian would have characterized Corellon, but he's considered one of the more benevolent/open-minded deities iirc, which could be interesting to see contrasted with Mystra, Vlaa'kith, and Shar. How much that open-mindedness would extend to a drow, even one who has been a faithful follower even before she escaped to the Surface (and who inherited that faith from her father), is unclear. At the beginning of the game she would be leaning towards accepting Redemption, despite her own misgivings about whether or not she would still be her in that case.

Her final decision (at the ending pier scene) would depend on the relationship she has with the PC and the other companions. Her best ending, imo, would be her not accepting Redemption but continuing to be a force for good. If she has a good relationship with the PC, she would have something to lose. I think seeing the House of Mourning would affect her too. After all, the thing Corellon is offering to her as a way to find peace is the same thing the Sharrans are using as a way to manipulate and control others.

She's viscerally aware of how she was socialized and very actively chooses "good", so pushing her towards a darker path would be incredibly difficult but not impossible. If you side with the goblins she'll leave immediately, and turn on you if she's in your party when you attack the grove. But if you decide to try and control the cult in Act II, depending on your over-all actions before then and how you've interacted with her, you could disillusion her to the point of convincing her to break her oath. That path would entail convincing her that controlling the cult is actually the best idea. I'm sure there would be other times that her oath could break that wouldn't necessarily lock her into an "evil" path, especially with how Oathbreakers are handled in the game. Knocking out Minthara instead of killing her outright and letting Auntie Ethel go in Act I instead of killing her are two things that come to mind.

If she doesn't choose Redemption she would be at the epilogue party, of course. I'm a bit undecided on what would happen if she does choose Redemption. She may not be there at all, w/ Jaheira, Halsin, Minthara, and/or Astarion mentioning running into her in her new, reincarnated state. Or she would be there, confused, and mention how the PC seems familiar in a way she can't quite place. In that case, she would ask them how they know each other and mention something about feeling a twinge of grief looking at everyone, but that she doesn't know why she feels that way. It would be up to the PC how much they tell her (if they tell her anything at all).

[svtskneecaps]

this is not a pokemon blog but i spent the last like hour reading and crying and wheezing over an [unfinished and indefinitely hiatused, sobs] nuzlocke comic so. standby while i track down the first page on tumblr to reblog here

edit: so turns out, however it is they structured their blog, i have no idea how to reblog the post or even if i can. here’s the first page on tumblr; no idea how navigating it will work so here’s the deviantart link too

[skufdaddyswansea]

Mouthwashing, Dual Protagonists, and Captain Curly

While the vast majority of Mouthwashing is shown from Jimmy's perspective, the events leading up to the Tulpar's crash usually follow Curly. There are several interesting reasons for this, but there's one reason in particular that I'd like to focus on.

By setting Jimmy and Curly up as dual protagonists, we're invited to draw comparisons between them. Not only are they the lenses through which we view the story, they pass the role of Captain back and forth between their chapters.

It's easy to feel sympathy for Curly, given the state he spends the larger part of the game in. It can also be easy to gloss over his more subtle shortcomings when measuring him up against Jimmy.

In this post, I want to take a closer look at Curly's character. And more specifically, how he relates to one of the game's most obvious themes.

Is Curly able to deal with the consequences of his actions? Does he realize his own failures and how they harm the people around him? What does he do with the power he's granted over others?

Does Curly take responsibility?

Jimmy's fixation here gives us a good jumping-off point. It's certainly possible that he's only really been told this once or twice, but because he's Jimmy he's blown it out of proportion out of spite. It's also possible he's entirely making it up because he's projecting, but I think the former is more likely if anything.

And, if I had to take a guess where he heard it from, I'd put my money on The Pony Express itself.

In the eyes of The Pony Express, a "great leader" isn't someone diligent or able to meet the needs of his crew. The real reason Curly was able to rise to the top of the ladder and become captain is because he gets the job done without rocking the boat.

I'm establishing all this because I think it's worth examining by what metric he's being judged. Because, while it may be Jimmy who most often digs this point up, Curly doesn't disagree with him. Even in the depths of his ennui, it's important to him that not only is he the Captain, but a good one at that.

When comparing the two, that can again seem difficult to argue against. Jimmy is quick to lash out and shift blame. His resentment and insecurities often drive him to pick fights. Curly prefers to avoid conflict, but knows his position doesn't always allow him to do so. He tries to pick his battles, but when he has to get involved he focuses on de-escalating the situation.

But although their similarities are few, they do exist. And they greatly influence the narrative. Because it is from their shared selfishness, callousness, and cowardice that the entire story is born.

It's time to address the elephant in the room. We can't draw any conclusions about Curly's nature, his character, his role in the story, and his relationship to its themes without digging into his handling of Anya's assault, and the chain of events that follow.

I find it interesting that we never see the initial conversation Anya has with Curly about the assault. We simply know that she confided in him. He is the Captain, after all. The crew is his responsibility.

The thing is, we don't really need to know the exact conversation they shared, because we can imagine it went quite similarly to their conversation about her pregnancy.

She tells him how scared she is. She fears for her life. It never even occurred to him that she was upset about anything other than losing her job. He swears to her that everything will be fine. They'll fix this. All he has to do is talk to Jimmy.

He does not talk to Jimmy.

Maybe the first time he really did intend to. He just needed time. Jimmy has always had... struggles. If we want to, we can be generous to Curly, we can assume his old problems were much less vile. Otherwise, he would have never pulled the strings to get him this job, never put him in a position of power over vulnerable people. Right? But now, this was whole new beast altogether. Because he and Jimmy go way back, he had to process this, figure out what he was even supposed to say.

But at the same time, The Pony Express had just gone gone under. He'd been struggling with dissatisfaction and indecision for so long, and now his hand has been forced. He has his own problems. And Anya seems fine, doesn't she? If she hadn't said anything, he'd never have even known there was anything wrong. It just doesn't seem that important.

Anya talks to Jimmy herself.

She's scared, she fears for her life. But now she knows now that Curly won't defend her, nor give her the means to defend herself. Still, he promises her, they'll fix this. He just has to talk to Jimmy.

Things are different now. He can't sit by and wait for things to work out anymore. After all, it's not only her problem anymore.

Now it's Curly's problem too. How is he supposed to find another job with this on his record? There's only one other person on this ship who understands what he's going through.

He talks to Jimmy.

And he understands. Not that what he did was wrong, of course. Not that he'd done something horrific, irreversible, cruel. But that it now had consequences, and that he wouldn't suffer them alone.

Curly made his decision. He chose his paper-thin illusion of peace and his eroding friendship with Jimmy over the safety and well-being of his crew. And when it all came tumbling down, he decided it was better to bury them all under the rubble than to face the struggle to rebuild.

If Jimmy hadn't been there, hadn't been his co-pilot, Curly almost certainly would not have been able to bring himself to actually follow through with something so selfish and reckless.

But Jimmy was there, and Curly made sure of that.

So, it's time to ask again. Does Curly take responsibility?

Well, yes.

But it's too little, too late.

As much as Mouthwashing is about Jimmy fighting furiously against the consequences of his actions, it is also about Curly being forced to watch them unfold anyway. His silence and inaction, once a choice, are inflicted upon him by his mangled body.

Jimmy may have crashed the ship, but Curly gave him the keys. And so it's fitting in the end that Curly is made to take the full weight of responsibility by the man who he helped avoid it so many times.

[ozzgin]

Yandere! Gamer Boyfriend Scenarios

A collection of parodies to satisfy everyone’s desire for a happy ending. Warning: crackhead humor.

Content: gender neutral reader, yandere behavior, brief NSFW, time machine to Wattpad glory days

[First story] [More parodies original works]

Case 1: Third contender

Very few people know about your stepmother. You’d kept it a secret, even from the tentacle monster, who was understandably confused about your boyfriend’s nervousness upon hearing your idea of a family visit.

“Try not to kill each other, please.” You say with pleading eyes.

“I’m more worried about you, (Y/N). Will you be alright?”

You swallow dryly. The evil hag had summoned you earlier this week, and you dare not oppose her. A tear threatens to form in the corner of your eye, so you turn around with a dismissive wave. You’ll be fine.

“I see you already have a suitcase”, the older woman remarks, puffing on her cigarette. “Good. You’ll be leaving today.”

“What? I just got home!” You argue in confusion.

“This isn’t your home anymore. Times are difficult, you see. We’re low on funds.” She ponders her words, then continues. “We’ve sold you to a famous K-pop idol group.”

You can only gawk in shock. Almost simultaneously, you feel a tap on your shoulder and hesitantly look back.

“You must be (Y/N)! Wow, you’re even cuter in person. Those photos I received of you barely do you justice.”

A tall, handsome man with a beaming smile stands behind you. He flashes you a little heart gesture with his index and thumb, and winks.

Is this the power of idol charisma? You can feel the faintest tug at your heart, deep red blush heating up your cheeks.

“I couldn’t possibly…I’m already in a…in a relationship!”

“You’ll be much happier with me. I can offer you the world.”

What a ridiculous situation. You stumble on your words, partly afraid, partly curious about the potential life of luxury as the beloved partner of a famous idol. Can’t be that bad, you tell yourself. You shake your head aggressively. No! You have two people (well, one monster) waiting for you at home. You need to get out of here, but how?

Just as you evaluate escape routes, the door bursts open and you gasp at the sight: your gamer boyfriend, followed by the tentacled creature.

“How did you bypass my security?!” The idol shouts in disbelief. “I have the best engineers in the world working for me!”

The gamer boyfriend smirks defiantly.

“Heh. Wasn’t too hard to hack into your systems, all I needed was my PS5 controller. As for the physical obstacles…” he says, turning to the ancient beast. “You might want to call a cleaning crew for what’s left of your guards.”

You run towards them, and the young man gently guides you behind him.

“Since when do you two get along?” You ask with the sarcasm of a witty Marvel character.

“Let’s just say we figured out a common goal.”

The goal of keeping other people away from you. Any kind of pride he or the monster might've held has been swiftly discarded for this greater purpose. After all, two heads are better than one. Or whatever encephalic organ the creature possesses.

The cherry blossoms sway in the wind, scattering the frail petals across the riverbank.

"It's too much!" you whine, your hot lips brushing against the overgrown grass of the hill, privacy filled to the brim with appendages. "W-what if someone passes by?"

You can't even tilt your head back to look at your aggressors; the weight of the attempted kidnapping was too great for the pair to bear, and thus they were overwhelmed by the urge to reclaim you on the spot. Right there, in the fields, on the way back home.

"I couldn't...care less about that, (Y/N)", the gamer boyfriend manages to blurt out between exhausted, husky growls. His knuckles white from gripping imaginary sheets.

“You belong to us.”

(No slick folds were harmed in the process)

Case 2: Picture frame

The screech slowly dissipates, and the room is quiet again.

Finally. The gamer boyfriend gazes at his masterpiece, a satisfied smile on his face. Now that he's gotten rid of his rival, he can have you all for himself.

“I hope you enjoy the flatness. I didn’t.”

The fight might've lasted longer, had the beast not committed the ultimately fatal mistake of underestimating him. It realized much too late it wasn't dealing with the same human who disappeared months ago. That one was weak and easy to remove.

"Please, what are you-...What are you doing with my body?"

"Relax. I'm just...borrowing it. Permanently, maybe."

Oh, how long he waited for that moment, that instant in which he was guaranteed freedom from the 2D realm. How delicious it was to snatch the escape from the boyfriend who worked so hard for it. All those hours spent romancing the characters, repeating the same dialogue lines again, and again, until the love meter blinked in achievement. And then he stole it, just like that, with a snap of the fingers.

Two things immediately struck him once he made his way out:

First, the third dimension. He'd never experienced such depth before, and all the angles and perspectives sickened him terribly. He spent days bedridden and nauseous. Equally baffling was the fact that conversations were always spontaneous, random, one-of-a-kind and without any subtitles or dialogue box. He tried in vain to reset his response to you, or to replay something you told him. Thankfully, his secret was of such absurdity, that you couldn’t even begin to imagine its possibility. You took his suspicious gaffes with an amused chuckle, calling him a silly goose.

Second, you. He had no idea who you were, but upon laying his eyes on you, a wave of warmth and affection flooded his innards. Were you someone important for the boyfriend? Either way, whatever leftover feeling was left inside the vessel swiftly turned into obsession. You took such great care of him. Guided him through this new world with unconditional kindness. Whatever the boyfriend was to you before, he deserved it more. He was certain of it.

Only one obstacle stood in his way, and he just took care of it.

The entry door unlocks, and you walk in, unsure.

“It’s been days. It always lived here, why would it vanish now?” you sob, shaken by the sudden disappearance of the ancient creature.

“Oh, Darling. Come here”, the gamer boyfriend coos sweetly. “You have me now, don’t you? Am I not enough for you?”

“Of course you are, it’s just…”

You stop in your tracks.

“When did you get this?”

“Today. Do you like it?”

“It’s…nice.”

You stare at the new picture hung in the living room. The ornate frame contours what seems to be an oil painting of a sea monster, tentacles preying out of the water.

It almost looks like it wants to crawl out of the canvas.

“Maybe it just got tired of you.” The boyfriend whistles, approaching you. “But I’ll tell you a secret. I’ll never, ever abandon you.”

“I know, (B/N).” you throw yourself into your boyfriend’s arms.

“Who? Ah, right.”

Case 3: Hidden Ending

You sniff and wipe your tears again, filling your satchel with bread. At the very least, it’s good bread. You made the sourdough starter yourself, in the kitchen you renovated with your own hands.

Not anymore.

You button up your patchy peasant robe, glancing back at the couple one final time. Your gamer boyfriend…well, ex-boyfriend, is following your movement with melancholic eyes. The tentacle creature is holding him affectionately, its tendrils of darkness wrapped around his small shoulders. The same appendages that lewdly traced your body.

You have been cucked.

“I’m sorry, (Y/N). I…We never meant to hurt you. It’s just…we love each other.” He sheepishly lifts his hand, revealing a ring glowing with ancient, cursed energy of cosmic, long-forgotten springs. “We’re thinking of a tropical honeymoon.”

Your underbaked cinnamon orbs glisten with fresh tears, as thin streams caress your cheeks. No matter. You’ll find a new apartment. You’ll start again. You finish tying the bread satchel around the stick, and throw it over your shoulder.

“I wish you happiness”, you sigh, exiting the house.

[eternalin]

ෆ impulsive.

is that a good thing?

summary — you got your ass in trouble,again.

characters — Dan Heng,brief mention of himeko,welt,march 7th and trailblazer

tags — fluff,gn!reader,you got hurt,one shot,you and Dan Heng are friends,a small argument turning into..?

an — can you tell I like Dan Heng? (⁠*⁠˘⁠︶⁠˘⁠*⁠)⁠.⁠｡

you and Dan Heng are good friends,you swear you are.but would other people agree?no.

everyone on the express knows that Dan Heng has feelings for you,how could you be so clueless and oblivious to the signs he'd given so far?you two were not just friends, definitely not.

if only you knew how gazes at you, his eyes softening ever so slightly,a slight red hue fading onto his cheeks,how he'd lower his voice,trying to sound as soft as possible,how the corner of his lips would curve up a little whenever you come up to him,even if its unnoticeable,to you,atleast.

it was just another normal day for Dan Heng,where he'd spend time in the archives,doing what he usually does,but that quickly changed,when you snuck inside his room,wounded.

you put a finger over your lips,with an awkward little smile,signaling him to keep quiet.if you only knew how the sight of you being hurt made his stomach churn.

Dan Heng had a worried and hurtful frown on his face,as he treated your wounds,the loud silence filling the room,none of you said a single word,but you could tell that he knew what had happened.

now you find yourself sitting on his mattress,with him bandaging your wounds.his touch was very gentle,treating you as if you were as fragile as a glass,one wrong move and you would break.

"Dan Heng,I-" you opened your mouth to speak,but he quickly interrupted.

after a few minutes,he put away the bandages and medicine back to their place,his gaze now landing on yours.

"why are you always so careless?" he asked,his voice laced with a hint of hurt,if only you knew how worried he was about you.

"but they started it!I just couldn't let that's slide."

"that's not the point,[name]." a frustrated sigh left Dan Heng's lips,his blue eyes narrowing slightly,you could see he was worried.

"you always manage to get yourself hurt,no matter what the situation is.this is not the first time."he continued,frowning as he kept eye contact with you,his voice was as gentle as ever,but that only made you more frustrated,why does he always act like he actually cares?it's not like you got fatally injured,anyways.he's always like this,you just can't understand,why?

and that's how an argument broke out between you two,at this point,you're both not even sure what you're arguing about anymore.

"haah.." Dan Heng lets out another frustrated sigh,as he knits his eyebrows,you could see he was getting frustrated,but so were you.

"why do you always have to scold me about it?it's not like you were the one who got hurt!" you shouted,angry and frustrated

"that's the point,[name],you were hurt.I'm just wo—" Dan Heng parted his lips to speak,when you interrupted him.

"why do you even care anyway?it's not like you—" and that's when he snapped,as he raised his voice,saying it out loud and clear.

"because I like you."

he swears it came out by accident,you weren't supposed to find out like this.he let his feelings get ahead of him,he wasn't going to confess so soon,not in a situation like this,at least.

silence filled the room,as your eyes widened in shock,your jaw dropping.

"what?"

Dan Heng had realised what he said,as his face turned bright red.

"Dan Heng,wait—"

springing up from the mattress,he ran out of his own room quickly,slamming the door shut without a single word,leaving you there alone flabbergasted.

everything was heard by the other members of the express,himeko had dropped her coffee,march 7th and the trailblazer exchanging surprised glances at each other as welt just sat there,knowing it would have happened sooner or later.

you would find Dan Heng avoiding you for the next few days,his face always flushed bright red as he excused himself whenever you were mentioned,quickly running away like a shy schoolgirl.

you'd have to take the first step,this time.

he's so cute I love him sm <3

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[sundrop-writes]

My Bleeding Heart

Draco Malfoy x Fem!Reader

Summary:

When Draco finds out that you are pregnant, he can't bring himself to be happy about the news because he doesn't want to bring a child into this wartorn world just to be another pawn in the Dark Lord's games. So, then and there, he makes a very important decision to risk everything in order to protect you and his future child.

Draco Malfoy x Fem!Reader. Arranged Marriage. Angst (with a Fluffy Ending). Set during Deathly Hallows.

Word Count: 3,400

Harry Potter Masterlist | AO3 Link

Full list of warnings and author's notes below the cut.

Warnings: the reader is pregnant in this fic; this is set during Deathly Hallows and there are a lot of themes from that era - death, blood purity ideals, general violence, murder, mentions of Draco being tasked with killing Dumbledore; Draco and the reader live in an environment where they fear for their lives because they don't believe in Death Eater values completely and fear being killed for it; Draco and the reader are in an arranged marriage meant to carry on blood purity - but they have fallen in love in the marriage; the reader is a pureblood, but I have not mentioned her being related to any canon characters, so her appearance/race is not defined; general emotional angst - Draco fears for his own life, your life, and the fate of your unborn child if they are born into pureblood society; in the first half, there is some arguing/tension between Draco and the reader (but it's mostly due to the emotional tension of their situation); mentions of Dumbledore's death; non detailed mentions of sex (that's how we got the baby, duh) (sadly no smut); passing mention of abortion/pregnancy termination (they both want the child but fear for the child's safety in this environment); semi-graphic mentions of consensually inflicted injuries - Draco gets the reader to cut off the skin with his Dark Mark on it so that he can't be tracked or summoned with it; these warnings make it seem like a really dark fic but the ending is really fluffy I promise; toward the end, the reader and Draco have a toddler who refers to them as 'Mummy' and 'Daddy', and I think that is about it.

Author's Notes: The prompt of 'character finds out you are pregnant' was originally from the fluff prompts list, but because this is Draco, I couldn't help but to throw some angst in here. Because I imagine that if Draco was still living with his parents and surrounded by Death Eaters and the blood purity ideals, he would be very hesitant to want a child of his own because he wouldn't want a child to be tainted by all of it the way that he had been. Because at a certain point, the pride he felt turned sour. Anyway, I hope you guys enjoy because this does get fluffy toward the end.

...

Terror. 

That was the very first thing Draco could tangibly say that he was feeling. 

The last two years of his life had been a sickening rollercoaster of utter chaos, and quite frankly, he had become numb to it all. He had to force himself to be numb, otherwise he wouldn’t have survived. And currently, survival was his only feasible goal. But this - this news touching his ears was one thing that woke up his senses from that numbness and sent him rocketing into the harshness of reality. This made him feel again, in the worst ways. Suddenly he was nauseous, shaking, blood rocketing against his ear drums, creating a harsh thumping in seconds. 

He wished that he had heard you wrong. 

“Are - are you sure?” He stuttered out, feeling his hands becoming exceptionally clammy as he clutched them around nothing, his feet unsteady on the ground. 

You saw him becoming remarkably pale for someone who was already so papery toned on a normal day, and you worried that he was going to faint. You worried that his harsh reaction meant that he hated the idea of you being pregnant - that he was angry with you. Of course, you realised that the fault wasn’t all on you, that was just nature. But part of you thought that he put the onus on you to take care of birth control, using potions or spells, because he had been worried about so many other things since the start of your relationship. 

Up until now, you weren’t sure if you wanted what they wanted. You weren’t naive enough to look beyond the reason you had married Draco in the first place. You were there to produce the next pureblood heir with him. Originally, you had thought it was romantic, in a sense. But when you had met Draco’s family, the people he was surrounded with, the people who called themselves Death Eaters - you realised that it most certainly wasn’t an ideal environment to bring a child into. 

Killing at the drop of a hat, torturing, murdering the innocent - those weren’t ideals that you wanted your child to be brought up on. 

“Draco, sit down, please,” You put a hand on his shoulder, trying to usher him toward one of the expensive chairs sitting in the corner of his room. 

You had stolen him away for a rare moment of privacy between meetings and Death Eaters traipsing around the house. These days, his parents always demanded that the two of you make good on appearances because you were supposed to be the sweet young couple, the future of the pureblood line. 

“Are you sure?” He whispered the question much more harshly, the words hissed through his lips like pure venom as he desperately waited for you to confirm it. 

He let himself be guided by you and collapsed down into the chair, sitting with his head in his hands, ruffling up his usually neat, slicked-back hair with rough, stressful fingers through it. 

Your stomach twisted with your own unique stress as you watched him. You hadn’t seen him so distraught since his first failed attempt on the mission he had been given last year. 

“I’m sure.” You said. “I went to the apothecary and got one of the test potions-” 

“A store bought test potion?” Draco hissed. 

He gave you the harshest glare that you had ever seen from him, which was saying something considering the looks of pure disdain he had given you upon first meeting. His jaw was set so tightly that it looked as though his molars were going to crush in on themselves at any moment. 

Your posture shrunk back, desperately trying to hide from his invasive stare. You wished that you could have burrowed under the floorboards at that point. 

You knew that it was fear and panic about the situation at large, all the death you had been surrounded with compounding onto him. But you hated that he was inadvertently taking it out on you. 

After a moment of you not speaking, Draco continued. 

“I should have made it myself, if you had just told me-” 

“Yes, and nobody would have become suspicious if you were mulling around, gathering the ingredients for a pregnancy test potion.” You snapped back. 

Draco’s face grew even more sickly at this, and you knew that you were both silently on the same page - nobody else in the house could know that you were pregnant. If they even suspected it, then it was over. 

He heaved a sigh, gathering all of his thoughts before he chose one to bring to open air. 

“Were you seen?” He asked, still tearing into you indignantly, talking to you as though you were stupid. 

“No.” You told him, entirely certain. “I wore a large cloak with a hood, it was dark. Nobody recognized me.” 

He gave you a distinct frown that said he was unsure of the truth in your words, and you rushed to trample over his potential sarcastic remark with your own. 

“I suppose they don’t recognize me when I’m not on your arm, anyway.” 

You scoffed out the last part, talking about this fact with distaste even though in actuality it was something you loved. You felt safe when you were with Draco. You couldn’t imagine facing the scowling faces without his arm around you. 

But you knew that’s all you were in this society - Draco’s wife. That’s all you had been labelled as since you had been shipped over from America by your godmother. 

You were the last of your noble pureblood family’s line. Your parents had been killed by Aurors in the name of Voldemort’s cause during the first war. After their deaths, you had been sent to live with your godmother in America, never truly understanding how your parents were killed or why.

The whole reason you had met Draco in the first place - an arranged marriage. Something that would have honoured your parents, apparently. 

The Malfoys had been looking for a pureblood match around Draco’s age, and they had once known your parents, and thought of you as a good prestigious pureblood girl to marry their son. It didn’t take them long to find you, even though you didn’t mingle in pureblood society like they did. (Something they found to be a big shame and a horror upon your parents’ memory.) 

Your godmother sold you out for a ‘dowry’ of two thousand Galleons, and from there, your life became a living hell. 

Strangely enough, Draco had been the one anchor keeping you alive in it. 

Most would say that it was because he was kind by comparison, but truly - he was easy to fall in love with when he was compassionate, sweet, loving in the smallest ways that made you feel safe during some of the most hectic times of your life. 

Draco had never intended to get attached to you. 

But like anything in his life - pining for the crumbs of his father’s approval, digging under all the proprietary for a single genuine gesture of affection from his mother - Draco’s heart kept beating as much as he tried to turn it off. He convinced himself that he was solid stone, but apparently, you were the pickaxe that made him crumble to pieces. After meeting him, you burrowed through the layers of snide coldness and dark humour that he used in an effort to put you off and you found that still beating heart. That soft thing that he hated so much about himself. 

You dug that heart out of his chest, and - despite his best efforts to fight you off, you nursed that heart back to health. And you gave him the closest thing he had experienced to ‘love’ in years. 

On the day the two of you got married, when Dumbledore’s dead body was barely cold, Draco said his vows to you with nothing but honesty in his heart. And that night, he made love to you with intense passion, held you in his arms as though you might slip away if he didn’t grip onto you tight enough. And only after you had fallen asleep in his arms, was when he allowed himself to cry. Because he knew that they now had one more way to make him hurt if they wanted to. They could kill him, they could stop the breath in his lungs, but he would die a million deaths through you being hurt in the smallest of ways before that happened. 

And now - with this utterly horrifying revelation, they had new ways to hurt him. He should have died a lone man. He should have let them kill him instead of agreeing to any of this in the first place. He shouldn’t have learned to love - he shouldn’t have grown these new limbs that they could cut off savagely and tear apart in front of him. 

“I got another one.” You announced when the room had grown too quiet, silent tears streaming down Draco’s face as he sat in intense contemplation. “Another test potion. An extra. I figured you’d want to see it with your own eyes.” 

Even though the two of you had only met two short years ago - you knew him too well. You knew that he would want visual confirmation before his own eyes. 

“Get it. Please.” He said, trying his best not to let his throat drown in these tears. He wouldn’t be reduced to sobbing. 

You went to your cloak, which was hung on a hook in an opposite corner of the room, and grabbed the potion vial out of your pocket. Your shoes clacking against the floor made a terribly hollow soundtrack to the whole thing as you ripped off the small tag that was tied to the neck of the potion bottle and handed it to Draco. He read the instructions on it while you uncorked the potion. 

It was simple: you put some sample of your DNA in the bottle - a hair, a small bit of blood, something like that. And then if the potion changed colours to glow white, it meant that you were pregnant. If it made no change from its original, soupy grey colour - then you weren’t pregnant. 

He watched, holding his breath as you plucked a single hair from your head and then dropped it into the now open top of the bottle. When the hair made contact with the liquid, it bubbled slightly as it dissolved. Then - after only a moment, the bottle began to shake roughly in your hand as it changed colour, and surely enough - it glowed brightly white. 

You were definitely pregnant. 

Draco’s nausea increased. And then - in a moment, he felt a fierce sense of protectiveness wash over him. It was as though he had been slapped sharply across the face, woken up from the blind numbness he had been feeling. He knew at that moment that he needed to take action. He couldn’t simply stand by and let things happen around him anymore. He could simply sit around hoping for safety, hoping for some miracle to save the two of you. 

“Happy?” You scoffed. 

You took Draco’s lack of words as a negative - a sign that he was certainly unhappy with the news. 

Not that you were entirely thrilled under the present circumstances - you were scared, stressed, and hating it because you had always wanted children, but not like this. 

You placed the potion down on the nearest table and stormed off to the bathroom attached to Draco’s bedroom. He chased you, catching the door before you could slam it closed and lock it. 

You conceded to his movements quickly and simply turned to face the sink, unable to look at him right now. You turned it on, splashing cold water on your face, trying your best not to freak out because clearly he was already playing that role. He walked up behind you, gently pressing his body into yours. Even under these circumstances, you found his presence so comforting. You found his body behind you to be nothing but a wall of safety, and you couldn’t help but to lean back into him, your eyes still tightly closed. 

Draco reached around you and gently pressed his hand into your stomach - you held back tears of your own now. Clearly, you were both thinking the same thing. Thinking of the unborn child that you both needed to protect. You placed your hand over his, seeking comfort in his touch as he flattened a palm across your stomach. 

It was a world shattering revelation to know that his child was resting under his hand. 

“No one can find out about this.” He muttered quietly into your neck. 

It was something Draco dreaded - them finding out about your pregnancy. 

This is what they had been waiting for. This was the reason for the marriage in the first place. This was the pureblood heir - this was their chess piece. 

Draco wouldn’t let his child become another pawn in their games. 

“It’s still early.” You choked out quietly. “There are other potions. We could-” You choked on your own words, unable to even speak it aloud. 

Draco dug his fingers into the fabric of your shirt protectively, quite insulted at the insinuation. 

“No.” He replied, his voice rough with anger. “Unless the idea of being pregnant with my child is so utterly horrible to you-” 

“It’s not that!” 

You screeched, forcefully turning in his arms, wanting to face him. He kept one hand on your hip, and moved the other up to gently grasp your cheek, thumbing away your tears as they gathered. It was that gentleness that always got you. His natural instinct to comfort you.You leaned into his touches as you continued. 

“I want this baby more than anything. I - I’m just terrified they’ll see that as a weakness.” 

You knew it was the truth. Especially when Draco’s sullen face confirmed it. In this circle, loving anything or anyone was a weakness that could be exploited. 

Draco leaned in and kissed your forehead. You closed your eyes, letting the single, solitary moment of peace wash over you. 

“I’ll protect you.” He declared, his voice whisper-quiet, but nearly broken with the intensity of his words. “Both of you.” He added this on as he brushed his palm over your stomach once again. 

Again, you laid your hand over his, uttering quiet assurances of love toward your unborn child. 

“Draco, how-?” 

He didn’t let you finish the question. 

“We’ll leave. We’re leaving. Tonight.” He declared firmly. 

It was something you had suggested before - to protests from Draco, many scathing comments poking holes in your plans. His parents would be killed if he left. At this point, he had to surrender to the idea that they could take care of themselves - that they had made their bed and they had to lie in it. But now that he had the Dark Mark, they would be able to find him, wherever he went. But he would find some harsh way around that. 

Now that he had so much more at stake, he couldn’t care if his parents died because of his actions. He had so much more that he had to protect. 

“I’ll cut off my bloody arm if I have to.” Draco mumbled quietly, and then turned sharply from the bathroom, leaving to pack. 

… 

“Daddy, Mummy’s not being fair! She won’t let me play with the jellyfish!” 

“Draco, can you please explain to your daughter that jellyfish are dangerous and she can’t play with them?” You replied, trying your best to haul your toddler away from the rough rocks at the water’s edge where the creature had washed up. 

“Love, why don’t you come and play with your toys over here?” Draco posed, trying to draw her attention toward something else. She was much like himself as a child - determined, stubborn, and wouldn’t do anything unless she believed it was her own idea first. “Come and show Daddy how to build a sand castle, hmm?” 

She seemed to perk up at this. She was clever, and over-eager to show off her skills. More than eager to show her father how to do something properly if she felt that he wasn’t doing it right. This happened with everything from the way he spread marmalade on his toast to the way he tied his shoes - something she had just learned how to do that she was eager to show off her expertise in.

As she tore out of your arms and trudged across the beach to scoop some sand into her bucket, Draco had to be thankful as he watched you follow slowly behind. Purely thankful of the fact that the biggest danger your daughter had to worry about was something like a stray jellyfish washed up on shore. 

Three years after escaping a life of servitude toward the Dark Lord in England, you and Draco enjoyed a quiet life with your daughter Aster in France. 

You sat down beside Draco with a huff, picking up the book you had previously been reading. You flashed him a grateful smile as he listened to Aster’s detailed instructions about how they should build their castle. He gave you a wide grin in return, and you felt your insides tingle. His smile used to be something as rare as a Basilisk, but now he wore it proudly and more often - he wore his happiness without restraint. 

With the short-sleeved, light linen shirt that he had on for the beach, the scar on his forearm was fully visible. It reminded you of the brave choices he had made on that night three years ago. 

You had convinced Draco not to cut off his arm completely, but the two of you knew that the Dark Mark needed to go. Otherwise, the two of you could never run far enough, you would have nowhere to hide. So now he sported a large scar where you had held him down and cut the skin off with a sharp knife. That night, his parents had found his room empty, save for the flap cut-off skin in the middle of his bloody bedroom floor. Luckily, you had a talent for healing spells and Draco had been able to knick a few good potions from his family’s cupboards before the two of you left. 

On the outside, it was jagged and ugly. But when he looked at it, it reminded him of nothing but freedom - of the love you had committed to him that day, to your unborn daughter. 

With a couple thousand Galleons in gold taken from his parents’ stash, the two of you started a new life. You were untraceable and happy. And though there was intense relief when you read in the papers that Potter had succeeded in defeating the Dark Lord and that meant the war was over - the two of you didn’t have any plans to go back to England anytime soon. 

Not when your new life was this good. 

“-and see, you need to dig down until you find the sand that’s wet, that makes a good castle-” Aster drawled on, piercing her toy shovel into the ground frantically as she spoke. 

Draco nodded, giving her a smile as he followed her instructions. “Yes, yes. I see. Very smart girl.” 

He had gotten the two of you away from that life, and not for a moment had your daughter ever known the kind of pain or fear that you had. 

“Daddy’s learning a lot today, isn’t he?” You remarked, giving Draco a sly grin. 

“Good thing I’ve got this smart girl here to teach me,” He said, leaning over and giving Aster a kiss on the forehead. 

That was another thing that made you fall even deeper in love with him - the droves of affection he gave to his daughter. Now that he wasn’t being watched so closely, now that he wasn’t expected to be the picture perfect son, he could love her exactly how he wanted to. He didn’t have to worry about propriety or appearing weak. 

Aster giggled at this, and Draco blew raspberries on her cheek before kissing her again. She then rallied Draco up to go to the shoreline for a bucket of water. As you watched them walk hand in hand, you felt your heart ache from how overwhelmingly full of love you were. 

Somehow, you found yourself endlessly thankful for the rocky road of fate that had brought you here.

[jellyfishbeansontoast]

Oh shit, there's only one bed.

really couldn't think of a title but this made me giggle and it's basically the plot summary so enjoy lol. kind of enemies to lovers yay!!

pairing: Sirius x reader I don't believe I made any character descriptions so should be gn

word count: 937

It was almost the beginning of term and the group had decided to make a weekend out of purchasing new school supplies in Diagon Alley, minus Peter who’s parents had already bought his school supplies and disapproved of the immaturity of his friends. Which is ultimately how you've ended up wishing you'd never came, standing in a cramped room in the Leaky Cauldron with the one boy who seems to know just how to get on your nerves. Sirius Black.

It wasn't that you hated Sirius, but the boy knew every way to get under your skin and even after pleas from James and Remus to stop he wouldn't give it up. You'd only tagged along as Remus had begged you to come relentlessly, guilt tripping you shamelessly with how much he'd have to hear about quidditch otherwise.

“There's only one bed.” Sirius gawks after settling down his case.

“Astute observation, Black” you snap, to which he holds his hands up in mock surrender. You bury your head in your hands groaning.

“There is no way I'm getting in a bed with you.”

A momentary look of hurt flashes across your face, did he really find you that repulsive, before you manage to compose yourself “you're welcome to the floor.”

He looks disgustedly at the dirty floor, kicking up a cloud of dust like a petulant child “there is no way I'm sleeping on that.”

“Fine.” you cross your arms in a huff.

“Fine.” he says mirroring you.

You turn on your heel and march towards the bathroom, grabbing your pyjamas on the way. By the time you've brushed your teeth and changed Sirius is already in bed. You resign yourself to your fate and climb into your side of the bed, pulling the covers up to your chin. You aren't aware of how cold the room is until you can practically feel Sirius’ heat radiating off of him. You shrink further into the covers, defending your ears from the cold. Behind you Sirius makes a strangled sound, somewhere between a laugh and a groan. You roll around instantly to face him, eyebrows raised.

“What.” you demand.

“It's just-” he sighs “Fuck it, come here.”

“What!” you repeat, questioning if you heard him correctly.

“You're cold, I'm not.” he shrugs like he's just told you a simple fact. He grips your arms and slides you towards him, wrapping his arms around you. Your face is nestled in his chest and despite the situation you can't help but feel relieved at the warmth that envelopes your body. “See?” 

His curls tickle your forehead and you're thankful that he can't see your face for the smile you're trying to contain. You can't help the laugh that escapes as you think about how funny it is that thirty minutes ago you were arguing about sharing a bed and now you're pressed flush against his chest. It's his turn to be confused now, “What are you laughing at?”

“This just isn't the behaviour of someone who hates me.” you retort.

“I don't hate you” 

“You literally asked Remus why he was friends with me” he's looking sheepish now, pulling away from you slightly so he can see you.

“I didn't mean it like that”

“How can you possibly have meant it Sirius?” the bite is back in your voice, guarding your feelings from what he has to say.

His fingers are on your chin, tilting your head up to look at him “making sure he didn't have any ulterior motives”

“Be serious-”

“I am Sirius” there's a cheeky grin on his face at the old age joke. You glare at him and he continues “I had to make sure Moony didn't have feelings for you, because I do.”

“You have feelings for me?”

“Come on don't make me say it again”

“What if I want you to say it again”

Instead he leans down and presses his lips to yours, his hands moving to hold the back of your head. “Did that say it enough?”

“Maybe if you tried one more time it might” you tease. Sirius is quick to appease you, this time you're more prepared and able to reciprocate the kiss properly, your hands curling into the front of his t-shirt.

“Understand now?” he asks.

“I think so” you respond, nestling your head under his chin, eyes fluttering shut.

“Will you go on a date with me?”

You only hum in response, Sirius only choosing not to be offended when he hears your breathing slow. He smiles at your sleeping form before wrapping his arms supportively around your back and letting himself also give in to sleep. 

-

“Do you think they've killed each other?” a low murmur voices from the other side of the door. 

“I hope not I wanted to borrow that quidditch magazine Sirius was reading yesterday” 

“I can't believe you're thinking about quidditch this early”

Despite Remus’ best efforts to keep James quiet the conversation is still enough to wake Sirius. He opens his eyes groggily and mentally curses the boys for being so loud. Flinging an arm out behind him he scrambles for his wand, which is somewhere on the nightstand, before unlocking the door. “I haven't been murdered.” he calls, voice still thick with sleep. 

James and Remus enter the room, mouths hanging open at the sight. “Is that-?” they both ask unison.

Their shock is enough to rouse you but you only bury yourself further into Sirius, groaning when the sunlight hits your eyes.

“If we knew this would happen we would've done it sooner.” James mutters before being elbowed in the ribs by Remus.

[j2lx]

Arguing With Them (headcanons)

Warnings: angst to fluff, arguments (obviously lol), worrying about safety and overworking, insecurities, crying (a lot of crying), mentions of abuse in Sukuna's part and Naoya's part

A/n: I am so so sorry I went on hiatus without notice =( I just came back from my overseas vacation and I was so tired on the trip and when I just came home that I couldn't do much. I finally got the energy to finish this draft that was sitting in my docs for like a month so please do enjoy reading!

Characters: Itadori Yuuji, Fushiguro Megumi, Kugisaki Nobara, Gojo Satoru, Nanami Kento, Ryomen Sukuna (Sukuna has his own body in this but isn't in his OG form), Zenin Maki, Okkotsu Yuuta, Inumaki Toge, Suguru Geto (basically high school Geto, before he became all you know), Toji Fushiguro (he isn't broke in this fic just so it isn't as confusing), Naoya Zenin (he isn't misogynistic (for Fem!readers) cuz he loves you a lot!) x Gender Neutral!reader

Itadori Yuuji

You hardly argue with your boyfriend. You understand him, and he understands you. The two of you never argue much since you both are able to come to a mutual agreement. Both of you get along really well, and think in similar ways, so it's rare for things to escalate into a fight.

When it does though, it hurts the both of you a lot. Guilt tends to gnaw at you two, and you both start to feel bad for lashing out at each other instead of talking it out slowly. Yuuji would be the one who's more affected between the two of you. He won't even be able to sleep after arguing with you because of how bad he feels.

Most of the time, you argue because of your boyfriend's lack of concern for his own safety. He tends to put others before himself in all situations, putting him at risk of injuries and even death. While you understand that the both of you being Jujutsu sorcerers would mean risking your life at times, you just can't tolerate how your boyfriend seems to be unnecessarily throwing himself into situations that could kill him.

Yuuji, being the caring and kind person who makes sure to protect others more than himself, fails to understand where you're coming from when these arguments start. It's his job after all, and it's what he should be doing. He just doesn't understand why you are so concerned when you yourself have to do the same. He doesn't get why you say he's "going too far" and "basically almost dying on every mission".

He's always stubborn and defends himself during these arguments, telling you that he's already doing his best to protect himself. But when you start to walk away and cry, he'll start to reflect and more often than not, he does realise that what you're saying is true. He just gets into the heat of the moment during missions and ends up not thinking about ways he could protect himself better, all while getting the mission done.

When you start to walk away, he'll immediately chase after you and try to apologise to you. Most of the time, all you want to do is make up with your boyfriend and cuddle with him while he holds you close to him. However, if you ever decide that you need time alone instead, Yuuji will sit outside of your dorm, listening to the shuffling of your feet in the room, your soft cries and sniffles, waiting for you to open the door and let him in to comfort you when you feel ready enough.

Yes, arguments with your boyfriend might hurt, and it might be tough to get through to him most of the time, but when he sees how desperate, concerned and sad you are, he'll start to understand. He'll never let you stay mad at him after these arguments because he doesn't want to lose you over something that he should have realised that he was wrong about all along. Expect loads of cuddles and Yuuji being clingy to you after arguments! (Also lots of "I love you"s from him)

Fushiguro Megumi

Honestly, arguments with Megumi occur once in a while, but it hardly escalates into something really big. Megumi isn't always the best at understanding your feelings and trying to see where you're coming from, especially if it's about your safety. He's stubborn and stands his ground in arguments, which makes arguing with him a little… painful.

He tries his best to understand your point of view, really. But you're the most important person to him, and it's natural for him to want to protect you no matter what, right? When arguing with him, it always hurts you more than him, because sometimes it's like he's scolding you and not hearing you out. But after the argument, all the guilt hits him like a ton of bricks and he starts to feel really bad for just lashing out at you.

Arguments with him are the worst when he realises changes in your behaviour. You started to train and exercise a lot in your free time, which confused him. You didn't spend as much time with him anymore and he could tell that you were overworking yourself. When he confronted you about it, you refused to tell him about it and it pissed him off. You were so important to him, and he wanted the best for you, so why couldn't you open up and tell him?

He starts to lecture you about reasons you shouldn't overwork yourself and tells you, in a rather harsh way, that you should tell him what's going on. And the whole time, he doesn't pause to let you speak at all. He's just so worried and annoyed that he goes on and on. He starts getting blinded by his concern and anger that he forgets to listen to you, and even if he does, he tends not to process it before he says something again.

He only knows he's gone too far when you start tearing up, shouting above his voice that the only reason you were overworking yourself was so that you could match up to him, so that he wouldn't leave you behind. And when you run out of his dorm and hide in your own dorm, locking the door the moment you step in, he finally starts to process what you said.

He sits on the edge of his bed, processing everything you said. He feels the guilt of not hearing you out properly, and he knows he has to do something to make it up to you. He knows he isn't the best at expressing his emotions through his words, so he heads to the kitchen and starts to make a cup of your favourite hot drink for you, before heading to your dorm.

He always knocks on your door and asks if you can let him into your dorm. If you don't, he sets the drink down on a table in the common room and tells you to drink it before it gets cold, and then heads back to his dorm. But if you let him in, like you do more often than not, he'll set the drink on the table you have in your room and apologise to you, before asking if he can cuddle with you, which you always agree to.

Kugisaki Nobara

Arguments with her are actually pretty rare! Most of the time, the two of you just try your best to understand each other, and it works perfectly well. The two of you hardly meet a situation where both of you have really different opinions and disagree strongly with each other.

But when that does happen, it gets heated very quickly. One of you would start accusing the other person, while the other has no choice but to defend themselves to the best of their abilities. You both end up really mad at each other because you didn't really listen to each other's feelings and instead, started shouting accusations at each other.

Nobara really appreciates it when you spend time with her on your days off from missions and school. She often takes the initiative to ask you when you're free and then sets aside those few days just to spend time with you. So when you told her that you took up an urgent mission, even though there were other people to handle it, she was really annoyed and pissed off. You had promised three weeks ago that you'll spend time with her on that day, and yet you decided to go on a mission that any other Jujutsu sorcerers could handle instead.

She started out by asking you why you wanted to do that, and when you replied that it was so you could get promoted more quickly, she snapped. She had told you countless times that in the Jujutsu world, you'll forever want to aim higher and higher, and there was no end to it. And yet, you had taken up a mission on a day she specially put aside so that the two of you could go out together.

Accusations and screaming is all that can be heard when your arguments get that heated. She calls you a liar and you retort that she doesn't care about you. She says that she can't trust you anymore and you reply that if she believes that, it's fine by you. It's just her attacking you with her words and you just trying to defend yourself. Eventually, it gets too frustrating for Nobara and she just walks out of your dorm, slamming the door behind her.

In the end, you go on your mission. But on the way there, you start reflecting, and realise that you were in the wrong to begin with. And truth to be told, you don't know how to make it up to your girlfriend. You know that she's always looking forward to these kinds of days, days that she can spend with you, having fun and just hanging out together. And yet, you decided to ruin it all and make her angry by breaking a promise.

When you get back to Jujutsu High, you knock on Nobara's dorm room. You hear a muffled "go away", so you just leave, giving her the space she needs. You head out again to buy her something you know she'll like, and then leave it outside her dorm room when you return. And when she finds the gift outside of her door, with an apology letter, she goes to look for you immediately so that the two of you can make up and cuddle in her dorm after that.

Satoru Gojo

You get into arguments with him mostly because of what he's doing. Be it annoying and teasing you too much, or being too reckless, it's always because he gets too cocky and negligent of himself that the two of you end up arguing. It doesn't happen often, since he listens to your scoldings when you try to tell him to stop being annoying or reckless.

And on the occasion that the argument does escalate, it's always him trying to defend his own actions by giving you random excuses. And if that doesn't piss you off enough, he never gives you the space to cool down after arguments. He'll cling to you, because "the argument is over" and he clearly thinks that it's fine to stick close to you when you clearly need your own space.

It's the worst when you get into arguments with him over his safety. His only excuses are that he's "the strongest" and since he "hasn't died yet, you don't have to worry". And while you don't disagree that he's the strongest, and know full well that he won't bite the dust that easily, you just can't help but worry. Yes, Satoru understands you like no other, the only thing he'll never comprehend is your worry for his safety.

Maybe it's because he's just that confident in his own abilities, or he just doesn't deem it necessary for you to worry over him when he promised that he'll return home to you no matter what. Regardless, he's stubborn when these kinds of arguments happen, more so than usual. He'll pick on everything you say, use things he's said in the past, just do absolutely anything to win the argument when that's not exactly the point. In the heat of the moment, he always forgets that it's you worrying about him, that you're scared for him. And instead of trying to reassure and comfort you, he starts to defend his own actions.

You're always the one to step back from the arguments and head to your shared bedroom to just have some space for yourself. However, your boyfriend takes that as a cue that all's well and good, and that you're on good terms with him again. He'll knock on the bedroom door, and no matter what your response is to that, he'll enter the room and start clinging to you, hugging and kissing you when all you really want is time away from him. He only gets that when you tell him to leave and shove him away from you.

He'll give you all the time in the world after that, just so that you can calm down as much as possible. And instead of distracting himself from the sadness of being pushed away, he sits outside the bedroom door, listening to every sound you make. He has to will himself not to burst into the room when he hears your quiet sobs, and just curls up into a ball, hoping that you'll calm down soon.

And when you finally let him into the room, your eyes red and puffy, he'll pull you into a hug while apologising for how unreasonable and annoying he was. He spends the rest of the day cuddling with you and being at your every command. He would do everything and anything, literally anything, just to cheer you up and make you feel better.

Nanami Kento

Arguments with him are super duper rare. He really tries his best to understand your feelings and will never lash out, even if you're being unreasonable sometimes. He's able to reason with you very well, so the two of you hardly get into arguments if there's ever something that's bothering either of you.

That doesn't mean that there are no arguments at all. Of course, when arguments do happen, Kento tries to let you understand his side of the story and hears you out no matter what. But when it does escalate, he knows when to end the argument and give you some space. There will be raised voices and even shouting, but at some point, he knows that it's not going to help solve anything and gives you the space to calm down.

The worst argument you had with him was over him being "obsessed" with hunting down a curse. You heard of this unregistered special grade curse with a patchwork face, and you knew just how dangerous it was to track it down. But you knew that your boyfriend was trying to help out and protect people from this curse by finding it and exorcising it.

Even so, you couldn't really understand why he had to work so hard to hunt it down, even working overtime on most days just to get information and track the curse's location. It wasn't just that he was spending less time with you, he was risking his own life and safety by trying to accomplish his mission. And you drew the line at that. You couldn't lose Kento. So you confronted him about it one evening after he came back from working overtime yet again.

It started out fine, just you telling him to give it up, or at least not work so hard over this matter. You expected him to understand, to listen to you, but you were wrong. He started to tell you about the mission, why it was important, why he had to do his best to search for it even if it meant that he had to work overtime. And that just leads to you shouting at him, telling him how neglected and scared you feel. And he starts to raise his voice too, saying that you don't understand how important his work is, even though you're a Jujutsu sorcerer too. Both of your voices fill your shared apartment, just pointless screaming that isn't helping either of you to come to a consensus.

After a while, Kento calms down and approaches you slowly, wiping away the tears that flowed down your cheeks without you even noticing. He goes to the kitchen and hands you a cup of water before going to your shared bedroom, giving you some space and leaving you alone in the living room to think about what happened.

He always waits for you to calm down fully and look for him. The last thing he wants is for him to cause you to feel more upset by approaching you while you're still mad at him. Rest assured though, after you go to look for him, he'll apologise very sincerely and do whatever you want to do with him. Expect lots of cuddles and kisses, and even a date later in the week!

Ryomen Sukuna

Arguments with your boyfriend are not exactly common, but they do happen more than should. He's not the best with emotions, but he's really trying his best to understand your point of view. He knows that he needs to start being gentler and more sympathetic, and he's really working on it.

But more often than not, arguments with him do escalate quite badly. He's stubborn, and most of the time he forgets that communication is a two way thing. It's not that he's shutting you out on purpose, he just doesn't register that he needs to let you voice out your opinions so that he can hear you out.

Most of the time, arguments occur because of how overprotective your boyfriend becomes when you talk to another guy. You've told him before that men have taken advantage of you before, gained your trust before throwing you around and using you for their own cruel plans. And whenever Sukuna sees someone being nice to you, he panics. He doesn't think that they're genuinely trying to be nice to you. Instead, his brain thinks of the worst case scenario and immediately his body acts to protect you in case they do anything to you.

It wasn't the first time Sukuna had to meet a male colleague of yours. Considering that you both were Jujutsu sorcerers, most of your colleagues were his as well, and he slowly managed to warm up to them without feeling the need to protect you from them, because he trusts them enough. But when he met your new make colleague who was going to be your mentee, he kind of lost it. Your boyfriend immediately glared at him when he tried to help you carry some documents back to the office, scaring your mentee.

When you got back to your shared apartment, you confronted Sukuna about his actions. To you, it was just plain unreasonable that he had scared someone innocent and who had done nothing to harm you. Your boyfriend got frustrated that you couldn't see it from his point of view and told you to just let him protect you so that no one else would take advantage of you. And while you could see where he was coming from, you couldn't tolerate the fact that he was going around intimidating people who were innocent and had no plan to abuse you like the people you encountered in the past. So you shoved him away and told him to leave you alone as you left the apartment and went to stay over at Shoko's place for the night.

The next morning, you were greeted by your mentee the moment you got to the campus of Jujutsu High. He shared about how Sukuna had apologised to him for scaring him, and had warned him not to take advantage of you, which he assured you he had no intention of doing. Upon hearing that your stubborn and somewhat unapologetic boyfriend actually apologised to someone who wasn't you, you couldn't help but feel a little touched and decided to find him after work to make up with him.

You managed to catch up to him as he was leaving the campus and immediately reached to grab his arm, stopping him in his tracks. You wrapped your arms around his torso and pressed your face into his chest, apologising for being irrational the previous night, and thanking him for looking out for you. He smiled before picking you up in his arms and pressing a kiss on your forehead, whispering an apology as well. He put you down gently and you both walked hand in hand, ready to go back home together.

Maki Zenin

You and Maki have arguments, yes, but they hardly occur. The two of you prefer to sit down and talk about it calmly instead of lashing out at each other, since talking it out makes the both of you more comfortable with sharing your views and helps make the atmosphere less tense.

During the extremely heated and intense arguments, that are few and far between, it becomes much more difficult for the both of you to take a step back and it usually ends up in the two of you ignoring each other for a while.

It's not uncommon to see Maki work out and train in her free time, considering that she wants to work hard to get promoted and just get stronger in general. Anyone who knows her would know that she works out almost everyday during her break time, and you're used to that too. In fact, you do enjoy joining in with her, or just watching your girlfriend while she trains.

But sometimes, it gets a little too much. It's not that you want to be the kind of clingy s/o, nor do you want to disrupt Maki's training regime and deprive her of the time she has to work out, but it's been bad to the extent that she only has time to eat and sleep outside of classes, missions, training and working out. Due to it being the season where more curses appear, all of you at Jujutsu High have been assigned more missions and life has been busier than usual. You would've thought that with the number of missions she was assigned, your girlfriend wouldn't have the time or energy to work out when she got a break (if she got any), but she clearly proved you wrong.

You decided to talk to her about it one day. It wasn't just about the way she spent her time, but also about her health and sleep schedule. You were more worried than anything, and you just wanted to make sure that she was alright and safe. Maybe it was the stress from all the missions, or it could've been the weather, but for whatever reason, Maki was more pissed than usual when you tried to talk to her. You explained the situation calmly and yet she could only snap that you wouldn't understand. And when you tried again to ask her about how she was feeling, she said that she was fine in a deadpanned voice. You got frustrated and ended up shouting at her, which led her to shout at you too. After she made her point she turned to leave and didn't talk to you for the next few days.

Even after the whole argument, you still wanted to look out for your girlfriend as much as possible. That led you to going to the teachers and requesting for them to give Maki fewer missions, just so she wouldn't push herself too hard on a daily basis. And little did you know that a certain blindfolded teacher mentioned it to your girlfriend in passing one day during training.

As a result, you were shocked to see Maki outside your dorm room on a weekend morning, considering that she usually went for jogs at that time. She explained that Gojo has told her about what you did, and apologised for being mean to you. You did the same, admitting that it was probably not right for you to disturb her when she was in the middle of getting ready for a mission. You invited her to spend the rest of the day with you, and the two of you let the rare time you had away from missions and training pass while spending time catching up with each other.

Okkotsu Yuuta

Arguments with Yuuta almost never occur, just because you two get along really well and never actually had a good reason to get into an argument. You two are like relationship goals, being able to understand each other's emotions and adapting the needs of the other party.

Even when things escalate, it never goes to the point of leaving a permanent, unforgettable scar on either of you. The two of you are both very emotional, and neither of you can bear to see the other person crying. So your arguments never escalate beyond a certain point, because you just can't stand to see each other hurt because of what had been said.

The only time you've had a super heated argument with Yuuta was when he finished his training overseas and was going to come back. Despite the fact that he kept telling you that he was going to return home to you soon, the date kept being pushed back. It was a full two weeks since the initial date he was supposed to come back home, and yet he was still overseas because of the missions he had to take up at the last minute.

You were slowly becoming more and more impatient. It's been months since you've seen your boyfriend, and the time you've spent apart just gets longer by the day. Did he not care about you anymore? It started to seem that way. You were normally an understanding person, and you knew how hard your boyfriend had it, considering he was a special grade sorcerer. But if you had to spend just another week away from him, you knew you would break. You decided to call Yuuta, just to let him know that you needed him back as soon as possible.

The call didn't go as you expected at all. You started by telling Yuuta how much you love him, and that you really can't do it anymore. That you can't spend any more time without him by your side. And Yuuta, with guilt laced in his voice, told you that he had to stay for six more days because of the appearance of a special grade curse. And that's when you broke. With tears trickling down your cheeks, you asked him if he even loved you anymore in a shaky voice, before hanging up on him and going to sleep, hugging the plush toy he bought for your birthday to comfort yourself.

You didn't hear from Yuuta the day after that and resigned yourself to the fate that you wouldn't see him until a week later. The last thing you expected was to hear a knock on your door the first thing in the morning, and for your boyfriend to be standing on the other side of the door, his bags and luggage still with him. He handed you a small bouquet of flowers with a small teddy bear on it and hugged you to his chest tightly. You could hear the tremble in his voice as he whispered apologies in your ear, and you pulled away from the hug to give him a peck on the lips.

After he placed his baggage in his dorm room and took a shower, he headed straight for your room to cuddle with you. The two of you talked things out, apologised to each other and started to plan for what to do if he got sent on a long trip again. Needless to say, you both spent the rest of the day in each other's arms, kissing and cuddling to your heart's content.

Inumaki Toge

You and Toge never had an argument before, as weird as it sounds. Of course Toge is a prankster and he loves teasing and flustering you, but he never goes overboard and never causes you discomfort of any sort. The two of you just never had anything to argue over, and you were thankful for that.

Well, that held true until… that happened. That's when you learnt what arguments with your boyfriend were like. And it wasn't even a normal argument. It was a horrible and scarring experience for the both of you. You just shut him out and Toge basically couldn't defend himself because you were ignoring him.

It all started when a new second year student transferred from Kyoto Jujutsu High to Tokyo. They were randomly assigned a buddy from the second years in Tokyo and it just so happened to be your boyfriend, Toge. At first, you were happy for him. Because of his cursed speech, it was difficult for him to make new friends and you had a feeling that this buddying experience would help him gain a new friend.

The warm feeling of happiness slowly turned to bitter envy when your boyfriend's buddy started to cling to him more. They basically spent the whole day together, and the only time they weren't together was during bedtime. From training to doing homework together, Toge's schedule suddenly became dedicated to them. And despite knowing that Toge loved you and only you, jealousy washed upon you and you couldn't help but feel more and more insecure by the day.

It got so bad that eventually, you couldn't even bring yourself to get out of your dorm room, unless it was for classes or training. You didn't want to see his buddy clinging to him, and your boyfriend paying them the attention they were seeking. You decided that you had enough one night, and took your phone from the bedside table and sent a message to Toge that said, "I hope you and your buddy are getting along, because it certainly seems so. If you don't want to be with me anymore, you know you can just tell me right?" And with that, you switched your phone off and tried your best to go to sleep.

You didn't leave your room for the entire day the next day and tried to distract yourself from hunger by reading the books you had. However, by the time it was evening, you were so hungry and desperate for food that you had no choice but to leave your room. And when you opened your door, you saw a lunchbox tied to the door handle on the other side. Without even opening it up, you knew it was from your boyfriend.

You immediately went to his dorm and knocked on the door. It took less than 10 seconds for the door to open and for him to pull you into a tight hug. Toge then dragged you into his room gently, and gestured for you to sit on his lap after he settled onto the edge of his bed. He placed a small kiss on your nose and muttered, "S…Sorry." You instantly felt your heart soften; hearing your boyfriend speak words other than onigiri ingredients was something that rarely occurred. You apologised before cupping his cheek and kissing him roughly on the lips, the kiss conveying all the emotions and love you felt for each other.

Suguru Geto

Yes, arguments do happen but they don't last long nor are they super intense. No seriously, your boyfriend is one of the most compassionate and sympathetic people you've ever met, so it's not often that he can't understand how you feel.

But when he truly fails to see where you're coming from, either because he thinks that what he's saying is more justifiable, or because he thinks that you're overacting, then the argument does escalate into something more heated than usual. He'll still hear you out, but he's likely going to continue to defend himself.

With a boyfriend who's a special grade sorcerer, it's only normal for you to have to spend time away from Suguru at times. It could be because of long missions overseas or just emotional distance because he can't spend much time with you. No matter what, he always makes it up to you after all his missions and assignments and spends lots of time with you.

Maybe it's because you never really showed strong opposition to Suguru going on more and more missions. You knew it had to happen, considering he was one of the four special grade sorcerers and that he was needed by the Jujutsu world considering his strength. But recently, your boyfriend started taking up more missions volunteeringly. And considering that he had never done that before, it felt weird to you… almost like he was trying to distance himself on purpose, which you were pretty sure wasn't the case. Nonetheless, you decided to talk to your boyfriend about it. You wanted to make sure that he wasn't pushing himself too hard unnecessarily, and that he wasn't being pressured into taking on these missions.

When you finally got down to confronting your boyfriend about the issue, he merely shrugged it off and said that it had to be done. He didn't really seem to acknowledge the concern you were showing him, which frustrated you and led you to snap at him, telling him about how he just doesn't seem to care about you or anything you do for him anymore. He then snapped back, saying that if you cared so much, you'd just leave him alone.

He instantly regretted his words, and even more so when he saw the tears welling up in your eyes. He muttered a quick "sorry" before he walked towards the door and prepared to leave your shared apartment to give you some space, like he always does after arguing with you. But instead of letting him leave as you would usually do, you pulled the hem of his shirt and whispered, "Stay. Please."

And stay he did. Your boyfriend sat down on the couch before pulling you onto his lap, comforting you by stroking your hair and whispering sweet nothings to you, all while you stuffed your face into his chest, letting his smell calm you down. After you calmed down enough to look at him, he kissed you all over your face and offered to make you your favourite dish for dinner that night, which of course you couldn't say no to. And you both knew that after you talked things out during dinner, everything would be alright again.

Toji Fushiguro

There was hardly any reason to get into arguments with Toji. He protected you, took good care of you and most importantly, showered you with love and made you feel so happy just by being with him. However, that doesn't mean that your relationship is always smooth sailing.

Arguments with him always escalate, but that's mainly because they hardly occur and your boyfriend doesn't really know how to deal with it. All his life, he's needed to fend for himself, so it's only natural for him to do the same during arguments with you.

You recently introduced Toji to a job. You used to work as a cashier in a bookstore and after contacting your previous colleague, who was now the manager, about job openings, they told you that there was an opening that just so happened to fit Toji perfectly. The job scope was mostly helping with organising the books in the bookstore, which your boyfriend definitely could do considering his strength and height.

Everything was going really well and he even got commended on his performance at work. Of course, you were really happy for him because he finally had a job and could earn money to support the both of you and the family he wanted to build with you. But that happiness was short lived after you realised that he started betting with his earnings like he did in the past. You couldn't help but feel a little bit betrayed because you thought he would know better than to go back to doing things like that, especially after learning how hard it was to earn money again. But old habits die hard, and you knew you had to stop it before it was too late.

You got Toji to sit with you and talk about how his job was going, before you slowly approached the topic of him betting his earnings. When you did reach that point, you asked him why continued to do it, as gently as you could so as to not make him feel attacked. But when he said that he was merely enjoying life and only betting a small amount each time, something in you snapped. It wasn't that you didn't want Toji to do what he liked to do, but you just couldn't accept that he forgot all about the future and saving money to start a family together. And so you lash out. You tell him that you suddenly feel alone in working towards having a better life and a family together, all while he tries to tell you that he was trying his luck to maybe win big and let you rest instead of working.

Somehow, that managed to make you soften up and as much as you wanted to stand your ground, you couldn't help but walk up to your boyfriend and press a kiss on his cheek. The mere fact that he was doing it so that there was a chance that if he won, he would let you rest and not have to work yourself so hard made you feel touched by his way of thinking.

Toji mumbled an apology, telling you that he didn't know you wouldn't approve of what he was doing and you could feel a wave of guilt wash upon you. You had never set any guidelines on how he should spend his money and you felt bad for making him apologise for doing something he liked with the money he earned himself. You muttered an apology as well, before pressing your lips against his to convey all the feelings you can't put into words.

Naoya Zenin

Arguments with him are the worst. The very very worst. They don't happen very often, but they always escalate quickly because he just lashes out and says everything he wants to say without letting you say anything, frustrating you in the process.

Almost every argument you have with him will escalate, and he just doesn't get that he should listen to you. He doesn't think that your insecurities might be bugging you, which is why the argument even starts. He doesn't stop to process that you're probably feeling really extreme emotions, that you're just desperate for some kind of affirmation and comfort from him. He doesn't realise that he should be gentle with you, instead of arguing with you.

Naoya doesn't spend much time away from you, he knows full well that if he does, your fears and insecurities would probably get the better of you. However, when he starts to do it subconsciously, you can't help but want some form of reassurance that he isn't doing it on purpose. It's your fear that he's still in contact with the Zen'in clan, the very people who abused you for months on end, the people he saved you from.

When you go to him, asking him about why he hasn't been spending as much time with you, he gets frustrated. He doesn't realise that he never told you about all the extra missions he's been taking on to save up more money to surprise you with a vacation for your birthday. He doesn't realise that you're scared, scared that he's going to turn against you and exploit you because you think he's spending time with the clan members, planning to bring you back to them.

And he just lashes out. He doesn't even give you time to explain yourself, he just starts telling you to learn to take care of yourself, to stop relying on him, to stop being "clingy and whiny". He doesn't stop shouting at you, saying that you don't understand why he's even doing all this. And it's true that you don't, because he never told you. He just gets so frustrated that he just continues yelling at you, until you can't hold it back anymore. You just break down in tears and run to your shared bedroom, slamming the door behind you.

Only then does he realise that he's taken it too far. The image of your tear-stricken face gets stuck in his mind, and he starts to feel really remorseful. He remembers you telling him that if he leaves you for too long, you get scared that he's leaving you. And yet that never crossed his mind when he was lashing out.

He goes to the bedroom, and knocks on the door asking if he can enter. And you never answer, too caught up in all your negative thoughts to process that he's trying to reach out to you. He always enters as quietly as possible, so it always catches you off guard. And when he sees how you look at him, your eyes shining with fear and sadness, looking at him like he's one of the clan members who abused you, he tears up too, because he never meant to hurt you that much. He grabs the blanket from the bed and wraps it around you snuggly, pulling you to his chest and letting you sob with him while he mutters apologies over and over again.

I think I went… a little crazy considering the length of this. I was honestly very tempted to make this into a hcs + short fic post and if this gets enough comments or asks requesting for a short fic part, I probably will do it =) Hope you enjoyed reading!

© @j2lx, 2022

[antianakin]

It's probably been around a while and I just haven't encountered it before now, but the "yes everyone would have murdered a village down to the last child in that situation" take is a new one for me! Like would I have been justifiably upset in that situation? Yes. But what would I have done in that moment myself? Probably run. Granted I am not a person with a ton of unfathomable powers and a weapon I have spent a decade training to use that can cut through literally everything, but still. The argument that "well yeah EVERYONE would've done exactly what Anakin did" kinda falls apart when you think about it for two seconds because wow is that not what I would do when faced with being alone in the middle of an entire community of people who just captured and tortured my innocent mother for several weeks.

But it's also VERY hard to argue that this is even how everyone would react to this situation in Star Wars.

They literally have an entire arc where they explicitly have Obi-Wan's old nemesis who killed Obi-Wan's Master come to attack the home planet of someone he loves, captures her, and then murders her right in front of Obi-Wan with Obi-Wan helpless to save her. He then goads Obi-Wan into reacting in anger and Obi-Wan's reaction is to refuse to engage. He very explicitly refuses to even attack Maul because he knows he'd be reacting in anger and he's literally seen exactly where that leads before and overcome it. So when Obi-Wan IS put in an extremely similar situation, he chooses not to just go out and attack everybody as a result. He doesn't give in to his anger and fly to Dathomir to go kill every single Nightbrother on the planet as a form of justice for Satine, which is what this person is arguing is how literally anybody would react when placed in that situation.

Reva Sevander has every reason to despise Anakin, more reason than Anakin had to despise the Tuskens. And yet when she goes after Luke to try to kill him after she fails to kill Anakin, that becomes a line she can't cross. More accurately, it's a line Reva CHOOSES not to cross. So when put in that situation with all the same anger and grief as Anakin had with the opportunity to get her vengeance by killing an innocent child, Reva makes the active choice not to do what Anakin did. So while the impulse obviously was still there with Reva, she was fully capable of choosing not to go through with it. And Reva's been soaking in Darkness since she was about 8-10 years old, getting tortured and broken as an Inquisitor, surrounded by the corpses of her people, with zero support of any kind that she can turn to for comfort or guidance. Anakin had spent the last 10 years in a warm loving environment with people who cared for him and still had most of those people available to him to support him in this time of grief. And yet when faced with the same choice, Reva chose to pull back and let Luke live, but Anakin just kept going and massacred an entire village. It's a CHOICE, not an uncontrollable urge.

You know the only other person I can think up off the top of my head who DOES canonically have a similar reaction to Anakin's?

Aleksander Kallus.

Kallus explicitly states that he leads a genocide against the Lasat as vengeance for ONE Lasat killing a unit of Imperial soldiers in self defense. An entire species is nearly wiped out of existence because Kallus decided to let his anger control him.

But there are NUMEROUS other characters in Star Wars who we see lose people they love and proceed to not go on a murder spree against innocent people and children as a result. And the ones that do are pretty explicitly villains whose actions when in those situations are used to showcase just how villainous they are. Which indicates that it's NOT a normal reaction because otherwise it wouldn't really mean anything as a villain identifier. If it's something just about anyone would've done, it's probably not that villainous. The point of it NEEDS to be that most people WOULDN'T do that, even in justified anger.

[coffeetank]

Writing ROMANTIC TENSION!

When you're writing romance, you need to have TENSION. Your characters need to pull your readers into the story with not just their dialogues, but also their chemistry. What is tension, you ask? It's quite simple. When two people are attracted to each other, or like each other, or are in love with each other, it causes a certain shift in the air. When these two people come together, they seem to outshine everyone else in the room and make it just about themselves (in a good way ofc). This shift in the air which hooks you into the scene is called tension. The chemistry that your main characters carry, will infact carry the whole story --- if you're writing romance, i.e.

How do you write this romantic tension? Well, as someone who's been writing romance for 4 years now, here's a few things I do to show the chemistry between my characters.

Show, don't tell: This is probably the most common advice you'll ever receive. And spoiler alert: IT IS TRUE. Any scene that includes an emotion will require you to show it, visualise it for the crowd instead of just writing it down. Romance, love, is a sensitive emotion. The readers need to SEE it happening, instead of just reading about it. Eye contact, long stares, switching their gaze from the eyes to the lips & back to the eyes, coming close for a few seconds, banter-turned-flirting are some ways you can show the chemistry.

Intimacy is key: Proximity. Closeness. Coming together. Put your characters in situations where they have to work together. Show their differences/similarities in handling tasks and make them argue or slightly quarrel if there's any differences and show them rejoicing if there's an agreement. Intimacy lies in more than just the body, bring out a quality in your characters, preferably a good one, in your characters when they're together. Make that quality their strong suit that drives them closer.

Words are sexy: Dialogues can create tension better than anything else (in my opinion). Notice how every time your ships/pairings are bantering, one of them ends up saying something sexual or romantic in a frisky way and we end up blushing like crazy? Yep, that's the goal. We absolutely love it when the guy says "oh yeah?" or ends up calling the girl a cute nickname while bantering. Dialogues can reach out to readers in a more personal way because they are the direct interactions between your characters. Make your OTP interact and have fun (pun intended!)

Add restraint: Sometimes, when the characters are almost about to kiss and someone interrupts them, we feel like throwing the book away. But at the same time, we want more because we want to see our characters kiss, or confess, or even get down dirty ;). You have put your characters in each other's close proximities, given them a driving force and added a razzle-dazzle with the dialogues and flirting! Yet, something is missing and the romance feels too....predictable? Put a constraint. This is especially important for slowburns. Personally, I love me a slowburn - it creates higher tension, emphasises on a foundation between characters and makes the kiss/confession/sex even more hot (again, my opinion). I suggest, a hint of a barrier won't do any harm. When you've reached the level of tension where it's normal for your characters to kiss or make-out, your readers are more focused than ever. Adding a restraint will make them crave the romance more and hence, stay hooked into the story. HOWEVER, DON'T STALL THE PROJECT. Just because your characters got interrupted in chapter 7 doesn't mean they can't kiss till chapter 15 or something. If they don't kiss in this chapter, they kiss after maybe 2-3 more chapters. You want to delay the romance only by a tad bit, so that your readers are still interested.

That's all I have for today! I hope these help you guys! - ashlee.

[rynwritesreid]

The Perfect Girl || Spencer Reid.

Summary: You are Spencers dream girl, everything is perfect about you. However, there is something you can’t tell Spencer as it will put his life in danger.

Content: Reader is basically on the run from some bad people. AFAB reader who goes by she/her. It’s kind of angst and full of fluff :) Use of Y/N.

Words: 1.5k

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You were Spencer’s dream girl; all his colleagues and friends knew you were the perfect girl for him. From the moment Spencer saw you, he knew you were the one. You were smart, you could argue your way out of anything and most importantly you always stood up for what you believed in, no matter the consequences you may face. Spencer could not get enough of you. You were a light in a world full of darkness for him.

 

So, when you just disappeared, he was left confused and alone. That wasn’t something you would do; it was totally out of character for him. You would have said goodbye, whether that in person, through a text or on a note. You wouldn’t have just left him like this.

Spencer searched for you everywhere. He looked in all the places he thought you might go, the places you mentioned you loved visiting growing up or places you took him, but you were nowhere to be found. As days turned into weeks, Spencer grew more and more frustrated. He missed your fiery spirit and the way you challenged him to be a better person.

 

He had asked Garcia for help; she could track anyone down. But you were smart. You had left all belongs that could be traced in your old apartment. You didn’t use any bank accounts; you face wasn’t found on any security cameras or systems. You were now just a ghost.

 

Spencer was at his wit's end. He couldn't bear the thought of never seeing you again. He knew he had to do something, anything to find you. He spent every moment of his free time pouring over any information he could find about you. He was determined to find a lead, no matter how small.

 

He would get angry at himself, he worked for the FBI, part of his job was searching for people. So why couldn’t he find you? Then he would get angry at you, why did you leave without saying anything, were you in trouble or did you just get bored? Spencer wanted to give up, you obviously didn’t want to be found, so why should he keep searching.

 

But despite his frustration and anger, Spencer couldn't help but worry about you. He knew that you were capable of taking care of yourself, but he couldn't shake the feeling that you were in trouble. He spent countless nights lying awake, trying to think of any leads or clues that could lead him to you.

 

He knew that there was only one person he knew that could truly help him in this situation. She had disappeared before, and she was able to keep part of her history a secret. Emily Prentiss. She was the only one who could possibly understand why someone would do this, and where they would go to hide.

 

Spencer picked up the phone and dialled Emily's number. It rang a few times before she picked up.

 

"Reid, it's good to hear from you. What's going on?" Emily's voice was warm and comforting.

 

"It's about Y/N. She's disappeared and I can't find her. I've tried everything. I don't know what to do." Spencer's voice was strained, and he could feel himself starting to panic.

 

"Okay, Reid. Take a deep breath. Let's go over everything you've done so far." Emily's calm voice helped steady Spencer. They spent the next few hours going over all of Spencer's attempts to find you.

 

"Okay, I have an idea," Emily finally said. "There's a group of people I used to know. They're kind of like a... rogue organization. They know how to disappear without a trace. If anyone would know where Y/N is, it would be them."

 

Spencer leaned forward; his interest piqued. "What kind of organization?" he asked.

Emily hesitated for a moment before answering. "They're a group of people who specialize in helping individuals disappear. It's not technically legal, but they only help people who are in danger or need to start fresh for whatever reason."

 

Spencer nodded, understanding. "Do you think they'll help me find Y/N?"

 

Emily shrugged. "It's worth a shot. I can make some calls and see if any of my old contacts are still active. But Spencer, you have to understand that this could be dangerous. These people don't mess around."

 

Spencer didn't care. He was willing to do whatever it took to find you. "I'll do whatever it takes," he said firmly.

 

You were safe, you weren’t happy, but you were safe. It took all of your will power to disappear and not tell Spencer anything. You loved him, but this needed to happen.

 

You were now living under a new identity, in a small but quaint town. You had a new job and a new home, but you always had the feeling of someone watching you. You knew your past was eventually going to catch up with you, it was something you had constant nightmares about.

 

One day, you received a phone call from an unknown number. You answered hesitantly, and a voice on the other end spoke.

 

"Is this Y/N?" the voice asked.

 

You froze. How did someone find you? "Who is this?" you asked, trying to keep your voice steady.

 

"My name is Emily Prentiss. I used to work with Spencer at the FBI."

 

You felt your heart racing. Did Spencer send her to find you? "What do you want?" you asked, trying to keep your voice calm.

 

"I know you disappeared for a reason, and I'm not here to judge you for that. Spencer asked for my help in finding you.”

 

You felt a wave of emotions wash over you. You wanted to see Spencer so badly, but you knew that it was dangerous for both of you. "I appreciate the gesture, but I don't want to be found," you said firmly.

 

"Y/N, I know you're scared. But Spencer is so worried about you. He misses you so much, and he just wants to know that you're safe," Emily said gently.

 

Tears welled up in your eyes. You missed Spencer too, but you weren't sure if you were ready to face him just yet. "I need some time to think," you said finally. "Can I call you back?"

 

"Of course. Take all the time you need. But please, consider talking to Spencer," Emily said before hanging up the phone.

You spent the next few days agonizing over what to do. You missed Spencer more than anything, but you were still afraid. Finally, you decided.

You would meet with Spencer, but only once. You knew that seeing him again would only make it harder to stay hidden. But you couldn't bear the thought of him thinking that you didn't care about him at all.

 

You called Emily and told her that you were willing to meet with Spencer, but only under certain conditions. Emily agreed and made the necessary arrangements.

 

The day of the meeting arrived, and you were nervous. You dressed in a plain outfit, nothing that would make you stand out. You arrived at the meeting place and saw Spencer waiting for you.

 

He looked relieved and overjoyed to see you, and it took everything in you not to run into his arms. You sat down across from him, keeping your face hidden as much as possible.

 

"Y/N," he said softly. "I'm so glad you're okay."

 

You nodded, not trusting yourself to speak. Spencer looked at you with concern in his eyes. "Are you okay?" he asked.

 

“I’m okay, but I am going to have disappear again after this. Spencer, I love you, and I did this for us. I was putting your life in danger and your career in jeopardy. When I was teenager, I got mixed up things, I was in the wrong place at the wrong time. There are people out there who are trying to find me and well kill me.” You paused; you couldn’t let Spencer know everything.

 

Spencer looked at you, his face full of love and concern. "Y/N, I understand that you were trying to protect me, but I can't bear the thought of losing you again. Please, let me help you. We can figure this out together."

 

You shook your head, tears welling up in your eyes. "Spencer, I can't let you do that. You have a life here, a job, a future. I can't let my problems drag you down with me."

 

Spencer reached across the table and took your hand. "Y/N, I love you. I don't care about any of that. All I care about is being with you and keeping you safe. Please, let me help you.”

 

“Spencer, if I do let you help me. You’ve got to promise that you won’t die or put yourself in harm’s way. Because if you do, I won’t ever be able to forgive myself.”

 

Spencer looked at you, his eyes full of determination. "I promise, Y/N. I will do everything in my power to keep us both safe. We can do this together."

 

You looked into his eyes, and you knew that he meant every word. Slowly, you nodded. "Okay, Spencer. I'll let you help me."

 

Spencer smiled; relief evident on his face. "Thank you, Y/N. We'll figure this out together."

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[demodraws0606]

My thoughts on the latest episode (aka HU IS THE CULPRIT I WILL DIE ON THIS HILL)

Warning : My sassy attitude is not directed towards anyone else, I'm simply amusing myself and also I've only gotten barely 5 hours of sleep god save me.

This is gonna be very long and messy so strap in folks

It's so obviously not Eden or Ace it's painful (idc 'i'll die for my hubris). Not even just because Eden lying and being the culprit after all of that would be both underwelming and just...miserable. But also because of how the way we're getting the reveal in advance that it could only be Ace and Eden. The fact the cast was already on Eden's throat as well just makes this point even more clear to me.

This isn't like fucking Korekiyo in chapter 3 of DRV3, this isn't how a culprit reveal happens. Especially not when there's so much we don't know yet.

So who is the culprit ?

...

It's Hu, it's literally Hu.... and like 1 pourcent chance it's Nico but I think both of them are accomplices here.

The thing is, I don't buy any of the shit Nico is saying, their admission of guilt is strangely quick and detached. They also seem to go along with anything people say about them (like them framing Hu) which makes it even more suspicious, they could've just said they used Hu's weapon out of conveniance ? The only thing this episode has proved me is that Nico is an Active accomplice rather than a Passive one like I thought. For what reason ? I honestly don't know fully yet but again we don't know a lot about Nico anyways.

Hu's behavior really makes me think she did it and is acting out, mostly out of guilt. She seems really stressed this trial which while makes sense for character reasons, it also makes sense if she's the culprit and feeling guilty. It would explain her defending Eden and Nico mainly I think despite her probably being the culprit she doesn't want the perception that Eden/Nico has to be broken (especially not bc of her). I've already explained how Hu being the culprit makes sense from a character perspective so I'm not gonna get more into it.

By the way any arguments in this post being like "it would be out of character for Nico or Hu to do that" should honestly review their own hypocrisy if they think Eden did it, or even Ace for that matter.

Another thing that makes me even more convinced that it can't be Ace or Eden is that...you can't fucking prove any of them did it with 100 pourcent certainty. David fucking threw the BDA rule out of the window, so we can't be sure Eden didn't do it but like what decisive evidence would make it clear between the two of them.

The only pieces of evidence we have left is :

-The sticky ball of clothes (most likely turpentine because the soil of the relexation room would cause the ball to have stains on it)

-The alibi for the relaxation room water

-The missing glove (which I think i've changed my opinion on what it could mean here)

Eden did know about the ball of clothes (but that piece of fucking evidence has strings attached so we'll get to that) and Ace doesn't have an alibi against taking the water like Eden does.

The missing glove is the only evidence left untouched here and honestly I actually don't think it had anything to do with the glove having someone's hair or anything, mainly because first of all the culprit could've technically just removed any hair on the glove even if it was sticky.

And also there's something else that makes more sense.

I think they probably had to use the glove to avoid rope burn while trying to set up the mechanism to kill Arei. Especially with how high the playground's ceilling is, it wouldn't be child's play. I'm not really good at deciphering what could've possibly happenened directly in the murder but I'd argue it's just more likely that the culprit would be put in a situation were rope burn could happen. This murder set up would require a lot of physical effort, and if the culprit even slipped for a second their hands would end up being damaged from rope burn making them obviously look guilty (also ouchie), which I think is what happened.

It would also explain the scuffs on the floor, maybe the culprit was struggling to hold onto the rope leading to them causing marks with their feet while trying to pull on the rope.

The reason why I think the glove is missing is probably because it's damaged and the culprit wanted to avoid the cast knowing they used Arei's glove during the murder. In fact it's the only piece of evidence that is completely missing

But why ?

Has anyone realised something about, I argue, the three other main suspects here ?

Nico, Eden, Ace ?

They all have gloves.

"But a huge portion of the cast has gloves this doesn't mean anything, it's just a stylistic choice !!" Yeah, the majority of the cast has gloves.

I think now you can understand why the culprit wouldn't want the cast to know that the glove was used. Because if the cast did see the glove that was probably damaged, they would assume the culprit wore it and it would narrow down the suspect list to an extremely narrow pool. This forces them to basically take the glove and hope to fucking god the cast doesn't catch on which they clearly haven't yet.

You know who doesn't fucking wear gloves.

HU JING

My girl got no gloves on !!!!

So yeah, with the glove being untouched evidence yet I think it will be the main decisive thing to point out who the culprit truly is, and I just don't think it's just gonna be like "oh let's just search everyone to see which one has the glove !". For all we know the culprit could've fucking eaten the glove, I don't think we're getting another Min in trying to search shit on people's person.

Anyways I'm gonna transition to other stuff to explain how the Nico and Hu theory makes sense from a logical standpoint here.

Let's get on to the sticky ball of clothes.

First I want to get it out there that I do not think the ball being sticky is due to the soil of the relaxation room. Mono-TV's talk about the "special formula" was mostly to foreshadow the floor of the playground's properties, also the fucking ball would have stains on it.

For me this means the ball of clothes has to have been covered in turpentine especially now that we have confirmation from Ace directly.

This is extremely huge and I'm flabbergasted has no one has mentioned this. Pray tell where the fuck did that piece of cloth go, did it get isekai'd into another world ?

This question actually has multiple meaning here because that fucking ball of clothing actually has massive implications. It confirms a lot of things and also puts a lot of doubt in things that seemed to be confirmed.

Before that I also want to say that Arei 100 pourcent got knocked out with turpentine. I don't want to argue over and over again that it was used because I've done this before but I have to since there are multiple reasons why she had to have been knocked out.

The floor is extremely prone to scuffs, if Arei was struggling then we definitely would've seen more than just a few marks in one area.

The method of murder would have been extremely difficult if she was struggling, like to a ridiculous point. Especially with someone like Arei who has been shown to have been sneaky and very prone to attacking people in their weak spots.

The tape binding Arei's hand in hindsight actually probably wasn't to avoid her struggling, it was most likely due to how the mechanism of the murder work. Keep in mind how the murder had to have worked and imagine if Arei's hands were just loose and flopping around. There could have been possible injuries with her arms that would ruin the culprit's obvious plan to make it look like a suicide. It also just makes sense for weight reasons, again Arei having her arms flopping around would make moving her body even more difficult.

And even if you want disagree with all of that, the culprit could've just binded her tape to avoid the same mistake that happened with Ace with him waking up from the turpentine.

Now that I've made my case about Arei being knocked out, let's get on the actual new arguments I want to make.

First, we know for a fact that a piece of cloth was used to knock out Ace meaning it has to have gone somewhere, if you say "well they could've just thrown it away" I will personally come into your home and shit in your shoes. And you're also wrong because I've already proven that Arei had to have been knocked out.

This means the only piece of cloth available to us would be the sticky ball of clothes.

But...like let me just explain everything that's mind boggling about all of this.

-This ball of clothes had to have been made for Ace's murder to knock him out

-The only people who knew about the old clothes were Hu, Teruko and Whit. Eden only knowing later on, way after Ace's murder was planned probably, because Hu told her about it.

-The culprit used this ball of clothing against both Arei and Ace

-The cloth is suspiciously absent from the murder scene, which makes no sense considering Nico's account rely on them not having left the gym while trying to murder Ace. Them leaving to chuck the cloth aside only to come back to the gym doesn't make sense with the timeline in how we discover things.

Yep, I'm making the claim that Nico didn't actually kill Ace here, I still think it's Hu. Again you can try and complain all you want about how it's out of character for Nico but the reality is...shit is not adding up.

It's really suspicious how silent Hu becomes when her weapon is brought up, immediatly clamming up and not defending Nico anymore. When Teruko makes assumption that Nico lied to Hu to get her weapon, she doesn't reply with a betrayed "Nico is that true ?" or even a sentence she responds with "That's...". The amout of ellpises both Nico and Hu give are extremely suspicious and just make me side eye both of them extremely hard.

I'm gonna go on another tangent here, on the subject of Hu being suspicious. Mainly because I do wanna point out a moment that both makes Eden seem a lot more innocent and makes Hu a lot more guilty.

The subject of Arei potentially committing suicide.

Now, it's very clear that the way Arei was hung was meant to make it look like Arei killed herself, this was very much meant to be the culprit's intention. Both to hide the true murder mechanism and probably to mislead the cast. The fact that it's only an incidental red mark of Arei's wrist that proves she didn't kill herself, proves that the culprit intended for it to look like a suicide.

However guess who argues against this...Eden, which, if she is the culprit I don't see why she would do something like that (and if you say "well why is Hu defending Nico and Eden" I already explained it). Clearly the Eden!Culprit theory relies on her being capable of manipulation so there's no reason why she would be so caught up in her own feelings to just ruin her own plan like that.

You know who seems to really be into the idea of Arei killing herself though, Hu.

That's all I have to say on that, now let's get onto how I think Nico actually helped Hu.

I do think there's still a 50/50 on them working directly together or just Nico catching onto Hu's plans and deciding on their own to help her.

I do think Nico directly helped her though in two major ways

First, the water, it's the obvious one. Nico probably ended up giving the water the Hu here weither they did so with/without knowing Hu's intention doesn't really matter since they're deciding to keep quiet about it now.

I also want to quickly mention how Hu getting water from the relaxation room makes a lot of sense. Hu was busy with Eden in the kitchen and Teruko had taken all the drinks from the gym, so it's likely Hu was forced to take the water from the relaxation room.

Second, the note

Oooo baby let's get into my favorite realisation in watching this episode.

One piece of dialogue has made me realize something

This made me puzzled too, because yeah, who would be listening in and how did Arei not notice when she went into the room ?

Let me take you all back to Chapter 2 Episode 5

Rose and Teruko have a conversation about Rose's secret and that conversation lasts a good while, until...

Nico was actually shown to have been there the entire time, Teruko and Rose were talking without noticing they were there.

Nico then explains themselves like this, pretty much proving this is something they just like doing casually sometimes.

This actually would explain everything on how the eavesdropping happened, Nico was on the literal fucking floor of the infirmary leading to them listening to everyone's conversation. Which tmeans they could have had the information to write the note.

This would explain the inconcistencies as to why would the culprit know to eavesdrop and how they didn't get caught by Arei when she was barging into the room (if they were outside by the door).

Now this leads to two possibilities with Nico and their relation to Hu.

Either they worked together with Hu and they both came up with the murder together. Which means either of them could've written the note.

Or Nico helped Hu without her knowledge, making the note to help her (edit : just realised this doesn't make a lot of sense ignore this).

I believe this is all I have so far and I'm very tired so you won't get a conclusion

Oh wait I hear something in the background...

"WHAT ABOUT THE TAAAAAAAAPE"

First of all, y'all gaslit me into thinking Ace couldn't have taken the tape so I'm already sick of this tape bullshit being used as decisive unshakeable evidence.

You know what I think probably happened ? Ace took the tape, after all it disappeared when he woke up and it's possible that he just then threw it away in the trash.

I mean Ace did say he was gonna "commit a murder of his own", it would be in line with him taking the tape.

Why isn't he talking about it then ? Because he'd be seen as the fucking culprit and also Ace is not really the most honest bitch out need i mention Ace witholding info about David and Arei's conversation.

[daechvvitas]

BOYFRIEND MATERIAL

how i think each member would be like as a boyfriend part one - hyung line edition

WARNINGS: mentions of daddy k ink, praise k ink, brat taming, d*ggystyle, oral, bee dee ess em, degradation

A/N: this is a mixture of sfw/nsfw. thanks for requesting, anon! minors, dni.

NAMJOON

He's the most self conscious about the songs he writes about you. You're his biggest source of inspiration, so that means he wants the lyrics to be perfect. It throws him off kilter because normally, he can write a song in one sitting. Even in an ER room. But when they're about you, it's different. He likes the challenge, though. He feels like it makes him a better writer.

He points out baby shoes and clothing to you every time you guys are at a store. He's still not sure if he wants to have a kid or not but he can't help but still find the items super fucking adorable.

He has a bit of a daddy k ink. He never thought he would been into it but the first time it slipped out of your mouth, his brain went to static and he fucked you harder than he'd ever done before.

He buys you books specifically curated to your taste. Even more, he buys himself a copy too so that he can keep up with what you like.

He talks you through sex. It's full of a lot of praise and encouragement. "Look how good you're taking me" and the sorts. He also loves hearing validation from you that it feels good and he's doing well.

He hates when the two of you argue but he physically cannot stop himself from having the last word. What can I say? The man likes to be right. And sometimes, that stubbornness can lead to huge blow outs. He always makes it up to you, though. After a cool-off period, he'll come back with calmer logic and won't rest until the situation is resolved.

SEOKJIN

He always makes you meals, even when his schedule is insane. If he has to wake up in the wee hours to have it cooked and waiting in the fridge for you, then so be it.

He's a brat tamer. And he's damn good at it. Even if you don't have a particularly submissive nature, he'll have you a whimpering, shaking mess by the end of the night. But those intense nights come with the best aftercare. He'll run you a bath, make you food, and give you a ton of cuddles.

He's insistent on doing things for you, even if it annoys you. Grabbing things from high places, opening doors... You name it. He just likes showing how much he cares about you through action.

He's the type to jokingly rile you up but then end up actually getting really mad, which leads to arguments that could have been avoided.

Unfortunately, he has a bit of the gamer boyfriend syndrome. He does not like being interrupted when he's playing his games. He is a sucker for you, though. So he's willing to free up one of his hands to give you the attention you so desperately want. And no, he doesn't plan on muting his mic so you better keep those moans quiet.

He takes personal offense if he's not your bias or if you rocking any BT21 character that isn't RJ. He'll definitely give you a playful but bombastic side eye until you either change or admit that he is the only option to be your bias.

YOONGI

He wouldn't consider himself a 'romantic' but he shows that he cares through quality time. Even if you're just in the living room watching a show, he'll always quietly sit next to you. Just so you know he's always there.

Alternatively, he loves when you do the same. His genius lab is a sacred place that even his members don't dare to enter unless it's for work. But for you? It's an open door policy. Your presence motivates him more than it distracts him.

Speaking of his studio, the two of you have definitely fucked there. Multiple times. The first time it happened was just sort of a spur of the moment type of things but now, you live to bend over for him, chest pressed against the knobs of his music equipment as he thrusts into you.

He shares his food with you without any complaints or annoyance. If he notices you want a taste of whatever he has, he immediately offers it to you. Not even just a bite, either. He'll give you the whole thing.

He likes taking his time with you. There's a lot of foreplay where the tongue technology comes in hand. He loves to lick you, taste you, make you fall apart with just his mouth.

He prefers dates at home over dates out of the house, but he'll indulge you if you really want a night out. However, his ideal night would be cooking you both dinner, plenty of whiskey, and of course, you.

HOSEOK

Prepare to be touched all the time. Not even just sexually (though we'll get to that). He's just a very touchy feely boyfriend. Cheek kisses, hugs from behind, gripping your thigh. He just wants to feel your skin against his.

He loves sharing tea with you. He remembers every single piece of gossip you tell him, even if he doesn't know the parties involved, and enthusiastically picks whatever side you're on. In return, he always keeps you updated on the drama and insanity of his members' lives. There's really no secrets between you both.

He's a dom, for sure. When it's just the two of you behind closed doors, he feels comfortable enough to strip back the sunshine side and get to play with the darker side of him without judgement. He also finds it so hot that you trust him enough to go on wilder extremes together — tying you up, blindfolding you, spanking you. He craves having control over you.

His favorite form of aftercare is giving you a massage. Typically, he has you folded up like a pretzel as he has his way with you. So making sure your body is taken care of afterwards is of utmost importance. As he massages you, he likes to sweetly shower you with compliments just so you know that any degradation that occurred during sex does not hold true in real life.

He's the first to like your social media posts. Yes, he has notifications on just to make sure he's the first. It could be a selfie or a random picture of the sky and he's the first on the post, showering you with emojis.

Sometimes, he needs personal space. You didn't do anything wrong. But when things get hard at work or overwhelming in his personal life, he has the tendency to retract instead of engage. He doesn't ever have the heart to tell you that but you can tell by the short answers or less enthused interactions. The best thing you can do is give him that space to work through his head.

[morganbritton132]

Hi, I binge read the entirety of your EMTTS and i absolutely love it! I wanted to thank you for your dedication and for how much you made me laugh. It's really great to find a saga that's funny and also gut-wrenching and written by someone who's a) very talented and b) clearly loves the characters and makes them very well rounded even in little snippets of life. So thank you!!

I also can't stop thinking about the initial "is Dustin a person or a dog" confusion and how much it reminds me of that episode of B99 where everyone's asking subtle questions to their coworker to understand if Kelly is his wife or dog, like "did you two go on any nice walks recently?" and i can see someone like David trying it and failing

Thank you so much for so many kind words and I’m glad that you’re enjoying the series because I am too! (Also, super impressed you got through it because it’s a lot!). I love that cold opening of Brooklyn 99 and it was the inspiration for that tag.

Also, I love the idea of the first-year teachers trying to figure out if Dustin is a person or a dog. That’s brilliant!

And what’s funny is that David’s not even wrong in this situation.

He is like 99% sure that Dustin is the name of Steve’s brother, but he’s been wrong about literally everything else, so this debate continues into its third week at their table in the teacher’s lounge.

David argues, “I’ve heard him refer to Dustin as a kid.”

“People call their dogs their fur babies all the time,” Marissa argues back. “He’s had that dog for a few years, right? Certainly not a baby anymore so, kid.”

It is not helped by the fact that none of them have any memory of ever hearing Steve address his service dog by name. They’ve heard him call him ‘buddy.’ They’ve heard him say ‘c’mon, pal.’ There was even an unenthused ‘Ozz-some’ last week when Ozzy alerted Steve to an impending seizure during his lunch break.

Have any of them thought of looking at the dog’s collar? No.

They haven’t even considered asking a student.

They are in the middle of this debate when Steve comes into the teacher’s lounge to refill his coffee mug for the third time that day. If he notices that the room goes quiet every time he walks in, he doesn’t make any indication of it when he smiles tiredly, “Hey, guys.”

They murmur their hellos and give each other significant looks, daring the others to ask the important questions. No one asks. No one actually says anything until Steve yawns.

“Long night?”

“Yeah, definitely. Dustin had me up ‘til two in the morning,” Steve yawns again. He doesn’t notice how everybody perks up at that. “Poor guy gets so anxious this time of year.”

“Oh, really?” Marissa asks, giving David a look that says ‘see, dog.’. “Because of the homecoming fireworks?”

Steve hums in agreement and shakes his head like he sometimes does when he’s shaking a memory loose. He’s speaking more to himself when he adds, “I think I’m going to take him to the park after work. Get some fresh air, some exercise. He’s been cooped up for too long.”

“Anyways,” Steve says with a smile, tipping his coffee mug to them. “Gotta get back to grading papers.”  

[transmascaraa]

Reader being sad cause they can't have an animal they love, and they need comfort cuz big sad awehh :(

(example - reader wants a cat but has cat allergy)

multiple characters headcannons!

not allowed.(not a tv girl reference btw)

characters: lyney, gaming, wanderer x gn!reader

author's note: WOAH I GOT THE MOTIVATION TO WRITE SOMETHING. anyways basically your parents don't allow you to have a pet of your choice blah blah blah yk how it is i hope🤷‍♂️ ENJOYY

๑ Lyney

-he will literally want any animal that you want just because it's you who wants it.

-and after seeing you come to him on a random sunday at 16:07 seemingly sad about something, he immediately welcomes you in his home and lets you get comfortable.

-he doesn't rush you or anything, he'll let you calm down first.

-he's gonna bring you a cup of water, or tea, or coffee, whichever you prefer.

-after you talk vent to him about what's worrying you, he's quick to think of a solution.

-"awh.. your parents really are strict... hmm.... how about.." and then it's almost like a lightbulb appeared above his head.

-"i know! i'll buy you the pet that you want, and it'll stay at my place, how does that sound? your parents don't have to know A SINGLE THING." he really wanted you to feel better.

-"but what about Lynette and Freminet-"

-"they'll get used to it eventually!"

-there's no point in arguing with him, he'll do it anyway.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

✧ Gaming

-now, if you came to him to tell him about your situation, the outcome would be pretty similar.

-he'll welcome you with open arms inside the warmth of his home.

-he will bring you something to drink, something to eat, preferably some small snack or chocolate bar, as he patiently waits for you to calm down.

-as you finally finish and feel calmer, you tell him about your situation and tell him that you're looking for a solution in some way.

-with that, he puts his hand on his chin and thinks thoroughly about the problem.

-once he comes up with an idea, he will explain it to you in great detail.

-"hmm... maybe you could keep the pet at my place? y'know, it would probably get along with man chai, so it wouldn't be lonely! and of course, whenever you wish to visit, know that it'll be well-fed and never be bored!"

-after a bit of thinking, you finally speak.

-"that's... a good idea, gaming. sure! thank you so much! you're a lifesaver!"

-he hugged you softly.

-"of course, [name], as long as you're happy!"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

♡ Wanderer

-uhhhh idk what to tell you at first

-he's gonna be confused at first as to why you're so sad over to being able to have a random animal as your pet

-more importantly confused as to why you're coming to him out of all people

-but okay.

-he will listen to all of your vents and rants intently, waiting for you to finish.

-"okay. and what am i supposed to do about it?"(he was half-joking)

-"are you gonna help me in any way? can i like- buy the pet and you keep it at your place? you'll have to take care of it but i promise i'll come over as much as i can!"

-"are you insane-"

-"PLEASEEEE-"

-"FINE."

-"oh my archons, thank you so much, wanderer!" as you hugged him tight.

-"well, it's the most i can do i suppose. by the way, what's your parents' address?-"

-"NO."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

i really like this one

i hope i'll have more motivation soon lmfao

doesn't matter hopefully y'all liked this lol

| @keeyisbored | @mariaace <3